| Declaration | 第1-4页 |
| Abstract | 第4-5页 |
| Acknowledgements | 第5-6页 |
| Contents | 第6-9页 |
| Chapter 1 Introduction | 第9-18页 |
| 1．1 Thesis question | 第9-11页 |
| 1．2 Textual structure | 第11-12页 |
| 1．3 Literature review | 第12-14页 |
| 1．4 Methodology | 第14-18页 |
| Chapter 2 A pre-Oedipal child with a full identity | 第18-32页 |
| 2．1． Sadomasochism--an effective release of libidinal desires | 第19-22页 |
| 2．1．1． Sadomasochism in sexual fantasy, music performance and daily life | 第19-21页 |
| 2．1．2． Sadomasochism as an innocent but doomed factor for human destiny | 第21-22页 |
| 2．2． A pre-Oedipal child in the arms of mother | 第22-28页 |
| 2．2．1． A self-satisfied child in the anal stage | 第23-25页 |
| 2．2．2． Mother as a restricting but warm matrix | 第25-28页 |
| 2．3． A balanced identity in ”mirror stage” | 第28-32页 |
| Chapter 3 A thwarted attempt in feminization | 第32-45页 |
| 3．1． Rape--Accomplishment of castration and sadomasochism | 第33-37页 |
| 3．1．1． Revenge and castration for Erika | 第33-35页 |
| 3．1．2． Assimilation for Walter | 第35-37页 |
| 3．2． Subversion and feminization | 第37-41页 |
| 3．2．1． Subversion of the ”other” | 第37-39页 |
| 3．2．2． A frustrated feminization | 第39-41页 |
| 3．3． Confronting each other in thwarted feminization | 第41-45页 |
| Chapter 4 The voice of a fragmented identity | 第45-57页 |
| 4．1． Language--a dysfunctional note for Erika's voice | 第45-50页 |
| 4．1．1． The debatable function of language in the construction of subjectivity | 第46-47页 |
| 4．1．2． A dysfunctional note | 第47-50页 |
| 4．2． Music and porno--felicitous prolocutors for lavish desires | 第50-54页 |
| 4．2．1． Music as a voice of the unconscious | 第50-52页 |
| 4．2．2． Voyeurism as an effective relief of desires | 第52-54页 |
| 4．3． A fragmented identity in ”New Times” | 第54-57页 |
| Chapter 5 Conclusion | 第57-59页 |
| Works Cited | 第59-61页 |
