| Abstract | 第1-9页 |
| 摘要 | 第9-11页 |
| Introduction | 第11-16页 |
| Chapter One Depth Psychology and Its Influence | 第16-20页 |
| ·Sigmund Freud’s psychoanalysis and its developments | 第16-17页 |
| ·Carl Jung's collective unconscious archetypal theories | 第17-20页 |
| Chapter Two The Study of Faulkner’s Creation Psychology | 第20-27页 |
| ·Definition of Complex and its psychological cause | 第20-21页 |
| ·The illustration of creation psychology from the personal unconscious perspective | 第21-23页 |
| ·The illustration of creation psychology from the personal unconscious perspective | 第23-27页 |
| Chapter Three The Archetype in the Main Characters | 第27-58页 |
| ·Anima –Caddy in her brothers’eyes | 第28-29页 |
| ·Caddy –the surrogate mother of Benjy | 第29-36页 |
| ·Benjy’s moaning | 第31-34页 |
| ·Benjy –representative of the id | 第34-36页 |
| ·Caddy –the angel and lover of Quentin | 第36-49页 |
| ·Quentin’s suicide | 第36-41页 |
| ·Quentin –representative of the ego | 第41-49页 |
| ·Caddy –the Delilah of Jason | 第49-58页 |
| ·Jason’s revenge | 第49-53页 |
| ·Jason –representative of the super-ego | 第53-58页 |
| Chapter Four Archetypes in the Lesser Characters | 第58-66页 |
| ·“shadow”and “persona” | 第58-61页 |
| ·The “shadow”and “persona”of Mrs. Compson | 第58-60页 |
| ·The weak representations of “false conformity” | 第60-61页 |
| ·The embodiment of “sagacious men”archetype –Dilsey | 第61-66页 |
| ·The interpretative reading of Dilsey in The Sound and the Fury | 第62-63页 |
| ·The aesthetic foundation of “sagacious men” | 第63-66页 |
| Conclusion | 第66-68页 |
| Notes | 第68-71页 |
| Bibliography | 第71-74页 |
| Acknowledgements | 第74-75页 |
| 在学期间发表的学术论文 | 第75页 |
