| ACKNOWLEDGEMENTS | 第1-7页 |
| 摘要 | 第7-8页 |
| ABSTRACT | 第8-11页 |
| INTRODUCTION | 第11-18页 |
| Chapter One THEORETICAL FOUNDATION | 第18-25页 |
| ·Harold Bloom and His Theory of "Poetic Misprision" | 第18-21页 |
| ·Iris Murdoch's Philosophical Idea of "Good" and Artistic View | 第21-25页 |
| Chapter Two MISPRISION OF WESTERN CANON BEFORESHAKESPEARIAN TIME | 第25-39页 |
| ·Misprision of the Bible in The Unicorn | 第25-30页 |
| ·Misprision of Greek Mythology | 第30-35页 |
| ·Misprision of Plato's "Allegory of the Cave" | 第35-39页 |
| Chapter Three MISPRISION OF SHAKESPEARE'S WORK AND OTHERCANONICAL ELEMENTS AFTER SHAKESPEARIAN TIME | 第39-47页 |
| ·Misprision of Hamlet in The Black Prince | 第39-42页 |
| ·Misprision of "Oedipus Complex" | 第42-44页 |
| ·Misprision of Gothic Elements | 第44-47页 |
| CONCLUSION | 第47-51页 |
| REFERENCES | 第51-54页 |
| APPENDIX | 第54页 |
