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《密室中的旅行》的元小说策略及其主题意义解读

ACKNOWLEDGEMENTS第5-6页
ABSTRACT第6-7页
摘要第8-12页
CHAPTER ONE INTRODUCTION第12-16页
    1.1 Paul Auster and Travels in the Scriptorium第12-13页
    1.2 Literature Review on Travels in the Scriptorium第13-15页
    1.3 Thesis Statement and Research Questions第15-16页
CHAPTER TWO METAFICTION AND ITS NARRATIVE STRATEGIES第16-22页
    2.1 What is Metafiction第16-18页
    2.2 The General Narrative Strategies of Metafiction第18-22页
CHAPTER THREE METAFICTIONAL NARRATIVE IN TRAVELS IN THESCRIPTORIUM第22-40页
    3.1 Chinese-box Structure: Three Layers of Stories第22-25页
        3.1.1 Story of Sigmund Graf第22-23页
        3.1.2 New Version of Graf’s Story第23-24页
        3.1.3 Story of Mr. Blank第24-25页
    3.2 The Intrusive Narrator第25-31页
        3.2.1 Dual Identity第25-29页
        3.2.2 Direct Authorial Intrusion第29-31页
    3.3 Anti-detective Narrative第31-35页
        3.3.1 Detective Fiction and Anti-detective Fiction第31-32页
        3.3.2 Anti-detective Narrative in Travels in the Scriptorium第32-35页
    3.4 "Travelers": Crossover Characters第35-40页
CHAPTER FOUR THEMATIC IMPLICATIONS OF METAFICTIONALNARRATIVE IN TRAVELS IN THE SCRIPTORIUM第40-45页
    4.1 Blurred Boundary between Fiction and Reality第40-42页
    4.2 Loss of Self in a Postmodern Society第42-45页
CHAPTER FIVE CONCLUSION第45-47页
WORKS CITED第47-48页

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