| Acknowledgements | 第1-7页 |
| Abstract | 第7-9页 |
| 摘要 | 第9-12页 |
| CHAPTER ONE INTRODUCTION | 第12-18页 |
| CHAPTER TWO LITERATURE REVIEW | 第18-24页 |
| CHAPTER THREE THEORETICAL FRAMEWORK | 第24-32页 |
| ·Introduction to New Historicism | 第24-27页 |
| ·Historicity of Text and Textuality of History | 第27-32页 |
| CHAPTER FOUR THE HISTORICITY OF THE KITE RUNNER AND ATHOUSAND SPLENDID SUNS | 第32-53页 |
| ·Presentation of History | 第32-39页 |
| ·The Representation of History, Events and Society | 第33-36页 |
| ·The Real Scene of the Historical Narration and Its Influences on the Works | 第36-39页 |
| ·Presentation of Afghan Faith and Inner Heart | 第39-43页 |
| ·Women's Unfair Treatment in Patriarchy Society | 第39-41页 |
| ·The Islamic Belief in "Allah Almighty in Worship" | 第41-43页 |
| ·Spiritual Redemption and Hope Pursuit in the Hostile HistoricalBackground | 第43-53页 |
| ·Amir's Self-Growth and His Spiritual Journey to Redemption | 第44-47页 |
| ·"Kite" and its Sublimation of Spirit | 第47-50页 |
| ·Struggle for Survival—the Basic Right to Appeal to Women | 第50-53页 |
| CHAPTER FIVE THE TEXTUALITY OF KHALED HOSSEINI'S TIMEAND ITS HISTORY | 第53-73页 |
| ·Textual Reflection of the Warfare | 第54-58页 |
| ·Conflicts Narrated in the Two Works | 第55-57页 |
| ·Wars and Chaos Interweaved in the Works | 第57-58页 |
| ·The Racial and Political Issues in Textual Presentation | 第58-64页 |
| ·Racial Discrimination by Pushtun | 第59-61页 |
| ·The marginalization of Afghan nation | 第61-64页 |
| ·The Representation of Heroines and Heroes Existence | 第64-73页 |
| ·Marriam and Laila's Submission | 第65-68页 |
| ·Jalil and Rasheed's Subversion and Control | 第68-73页 |
| CHAPTER SIX CONCLUSION | 第73-75页 |
| REFERENCES | 第75-78页 |
