| 摘要 | 第1-7页 |
| Abstract | 第7-11页 |
| Introduction | 第11-17页 |
| Chapter 1 Empson’s Chinese Complex | 第17-32页 |
| ·Empson’s Karma with China | 第17-19页 |
| ·The Intersection of Empson’s Poetics and Chinese Classic Poetics | 第19-27页 |
| ·Empson’s Ambiguity Theory | 第19-23页 |
| ·Ambiguity of Chinese Poetry | 第23-25页 |
| ·The Commonpoints of Empson’s Poetics and Chinese Classic Poetics | 第25-27页 |
| ·The Chinese Experience in Empson’s Poetry | 第27-32页 |
| Chapter 2 Absorption and Localization of Empson’s Poetics in China | 第32-51页 |
| ·Empson’s Poetics | 第32-36页 |
| ·Chinese Modern Poetics’Absorption of Empson’s Poetics | 第36-46页 |
| ·Aesthetic Ambiguity in Interpretation | 第36-40页 |
| ·Popularity of Semantic Analysis | 第40-43页 |
| ·Changes of Criteria for Poetry | 第43-46页 |
| ·Localization of Empson’s Poetics in China | 第46-51页 |
| ·Combination with Characteristics of Chinese | 第46-47页 |
| ·Extension of Ambiguity | 第47-48页 |
| ·Consideration of Author’s Intention | 第48-51页 |
| Chapter 3 Inheritance and Transcendence of Empson’s Poetry in | 第51-69页 |
| ·Style and Features of Empson’s Poetry | 第51-54页 |
| ·The Inheritance of Empson’s Poetry in China | 第54-63页 |
| ·Symphony of Reality and Metaphysics | 第55-58页 |
| ·Ambiguity of Poetic Language | 第58-60页 |
| ·Modernity of Writing Techniques | 第60-63页 |
| ·The Transcendence of Chinese Modern Poetry | 第63-67页 |
| ·Reservation of Chinese Classical Culture | 第64-65页 |
| ·Popularization of Poetic Language | 第65-66页 |
| ·Flexibility of Poetic Form | 第66-67页 |
| ·The Apocalypse of Empson’s Poetics | 第67-69页 |
| Conclusion | 第69-71页 |
| Bibliography | 第71-74页 |
| Acknowledgements | 第74-75页 |
| Appendix 攻读学位期间主要研究成果目录 | 第75-76页 |
| 详细摘要 | 第76-93页 |
