| Acknowledgements | 第1-4页 |
| Abstract in Chinese | 第4-6页 |
| Abstract in English | 第6-9页 |
| List of Abbreviations | 第9-12页 |
| 1． Introduction | 第12-16页 |
| 2． Williams's Painting Complex | 第16-30页 |
| 2．1 Mother's influence upon him | 第16-17页 |
| 2．2 Williams in the world of painters | 第17-30页 |
| 2．2．1 The impact of the Armory Show | 第17-19页 |
| 2．2．2 Williams and painters | 第19-22页 |
| 2．2．3 Cubism in his poetry | 第22-26页 |
| 2．2．4 Futurism in his poetry | 第26-30页 |
| 3． The Expressions of Color in Williams's Poetry | 第30-44页 |
| 3．1 The contrast of color | 第30-34页 |
| 3．2 The harmony of color | 第34-36页 |
| 3．3 The association of color | 第36-44页 |
| 4． The Expressions of the Eye's Linear Movement in Williams's Poetry | 第44-54页 |
| 4．1 From bottom to top | 第44-49页 |
| 4．2 From top to bottom | 第49-51页 |
| 4．3 From the out to the in | 第51-54页 |
| 5． The Unique Form of Williams's Poetry | 第54-62页 |
| 5．1 Definition of form | 第54页 |
| 5．2 Significant form | 第54-57页 |
| 5．3 Unique iconic form | 第57-62页 |
| 6． Conclusion | 第62-65页 |
| Bibliography | 第65-67页 |
