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虚构与真实--库切的自传三部曲中自我身份的建构策略

Acknowledgements第3-5页
Abstract第5-7页
摘要第8-12页
Introduction第12-26页
    0.1 Coetzee and His Works第12-14页
    0.2 Literature Review第14-20页
        0.2.1 Overseas Study on Coetzee’s Works第14-16页
        0.2.2 Domestic Study on Coetzee’s Works第16-18页
        0.2.3 Studies on Coetzee’s Autobiographical Trilogy第18-20页
    0.3 Autobiographical novel and Autobiography第20-22页
    0.4 Fictionality and Authenticity in Coetzee’s Autobiographical Trilogy第22-23页
    0.5 The Significance of This Thesis第23-26页
Chapter One Coetzee and His Boyhood第26-44页
    1.1 Coetzee and Little John第28-29页
    1.2 Little John’s Growing Pains第29-41页
        1.2.1 Little John’s Sex Struggle第30-32页
        1.2.2 Little John’s Struggle with His Family Relations第32-37页
        1.2.3 Little John’s Struggle with Shame第37-39页
        1.2.4 Little John’s Struggle with the Social Environment Outside第39-41页
    1.3 Truth and Fictionality: Coetzee’s Self Construction as a Boy第41-44页
Chapter Two Coetzee and His Youth第44-54页
    2.1 Young John as an Escapist第45-50页
        2.1.1 The Escape from His Parental Love第46-47页
        2.1.2 The Escape from His Motherland第47-48页
        2.1.3 The Escape from His lovers第48-50页
    2.2 The Portrait of Himself as a Young Artist第50-53页
    2.3 Coetzee’s Self Construction as a Young Man第53-54页
Chapter Three Coetzee and His Summertime第54-66页
    3.1 Diaries in Summertime第55-57页
    3.2 John Coetzee and His Women第57-62页
        3.2.1 The Narrating Strategies of the Women in Summertime第58-62页
    3.3 The Weakening of the Male Voices第62-63页
    3.4 Fictionality and Authenticity of Summertime第63-66页
Chapter Four Coetzee and the Self in His Autobiographical Trilogy第66-72页
    4.1 Multiple Identities of Coetzee第67-68页
    4.2 Coetzee and His Self Expressing Strategy in His Autobiographical Trilogy第68-72页
        4.2.1 Coetzee and His Man第69-72页
Conclusion第72-76页
Bibliography第76-80页

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