| 摘要 | 第5-6页 |
| Abstract | 第6-7页 |
| Contents | 第8-10页 |
| Chapter 1 Introduction | 第10-15页 |
| 1.1 A Brief Introduction to Animated Films about Animals in Hollywood | 第10-12页 |
| 1.2 A Brief Introduction to the Five Animated Films | 第12-14页 |
| 1.3 The Layout of the Thesis | 第14-15页 |
| Chapter 2 Literature Review | 第15-28页 |
| 2.1 Studies in China | 第15-16页 |
| 2.2 Studies Abroad | 第16-17页 |
| 2.3 The Evolution of Animal Rights View | 第17-22页 |
| 2.4 Animal Rights Theory from Tom Regan | 第22-28页 |
| 2.4.1 Animal Awareness | 第24-26页 |
| 2.4.2 Subject-of-a-life and Inherent Value | 第26-28页 |
| Chapter 3 Animal Awareness in These Films | 第28-38页 |
| 3.1 Anthropocentricism in Bambi | 第28-30页 |
| 3.2 Accepting Poultry’s Awareness in These Films | 第30-34页 |
| 3.2.1 Dalmatians’ Experience during the Fight for Survival | 第30-32页 |
| 3.2.2 The Aristocats’ Painful Experience of Going back Home | 第32-34页 |
| 3.3 Further Understanding: Wild Animals’ Awareness in These Films | 第34-38页 |
| 3.3.1 Kenai’s Feeling of Transforming from a Human to a Bear | 第34-35页 |
| 3.3.2 The Birds’ Escaping from Hunters | 第35-38页 |
| Chapter 4 Subject-of-a-life and Inherent Value in These Films | 第38-48页 |
| 4.1 The Theme of Love in Bambi | 第38-40页 |
| 4.2 Admitting the Rights of Poultry in These Films | 第40-44页 |
| 4.2.1 The Couple’s Protection of Animals from Hurt | 第40-42页 |
| 4.2.2 The Heroine’s Regarding the Aristocats as Family Members | 第42-44页 |
| 4.3 Further Acknowledgement: Wild Animals’ Rights in These Films | 第44-48页 |
| 4.3.1 Brothers’ Realization of Harmony with Animals | 第44-45页 |
| 4.3.2 Linda and Túlio’s Rescuing the Birds and Fight against Hunters | 第45-48页 |
| Chapter 5 Conclusion | 第48-50页 |
| References | 第50-53页 |
| Appendix：作者攻读硕士学位期间发表论文及科研情况 | 第53-54页 |
| Acknowledgements | 第54页 |
