| Acknowledgements | 第1-5页 |
| Abstract | 第5-7页 |
| 摘要 | 第7-12页 |
| Introduction | 第12-24页 |
| 1. Historical Context. | 第13-14页 |
| 2. Biographic Sketch of Fitzgerald | 第14-17页 |
| 3. Fitzgerald and His Three Novels | 第17-19页 |
| ·The Great Gatsby | 第17-18页 |
| ·Tender is the Night | 第18-19页 |
| ·The Last Tycoon | 第19页 |
| 4. Historical Review of the Three Novels | 第19-24页 |
| Chapter One Feminist Criticism and Fitzgerald’s Novels | 第24-28页 |
| ·Feminism and Feminist Literary Criticism | 第24-26页 |
| ·The Universal Significance of the Theme of Feminism | 第26-28页 |
| Chapter Two A Feminist Perspective of Daisy in The Great Gatsby | 第28-34页 |
| ·The Patriarchal Ideology in Nick’s Narrative Discourse | 第28-31页 |
| ·The Shallow Foolish“Golden Girl” | 第29页 |
| ·Women: Subordinates to Men | 第29-31页 |
| ·Rereading of Daisy—The Dismantling of Nick’s Narrative Discourse | 第31-34页 |
| ·A Victim Rather Than a Siren | 第31-32页 |
| ·The “New Image”of Daisy from Feminist Perspective | 第32-34页 |
| Chapter Three A Feminist Perspective of Nicole in Tender is the Night | 第34-41页 |
| ·The Fall of Patriarchal culture: Dick—The Abandoned Man | 第35-37页 |
| ·First Phase: Perfect Cult Leader Dick | 第35页 |
| ·Second Phase: Dr. Dick | 第35-36页 |
| ·Third Phase: Black Death Dick | 第36-37页 |
| ·The Rise of Feminist Culture: Nicole & Rosemary | 第37-41页 |
| ·Rosemary: Angel or Siren? | 第37-38页 |
| ·Nicole: Seeking New Self | 第38-41页 |
| Chapter Four A Feminist Perspective of Cecilia in The Last Tycoon | 第41-44页 |
| ·Men’s Double Standards in Treating Women | 第41-43页 |
| ·Cecilia: Liberation From Within | 第43-44页 |
| Conclusion | 第44-47页 |
| Bibliography | 第47-50页 |
