| Acknowledgements | 第4-5页 |
| Abstract | 第5-6页 |
| 摘要 | 第7-10页 |
| Chapter Ⅰ Introduction | 第10-24页 |
| 1.1 A Brief Introduction of Ford Madox Ford and The Good Soldier | 第10-12页 |
| 1.2 Literature Review | 第12-17页 |
| 1.2.1 Foreign Study on The Good Soldier | 第12-16页 |
| 1.2.2 Domestic Study on The Good Soldier | 第16-17页 |
| 1.3 The Method and Purpose of the Dissertation | 第17-24页 |
| Chapter Ⅱ The Female Characters from the Perspective of the Implied Reader and ItsNew Interpretation | 第24-42页 |
| 2.1 The Madwomen in the Attic | 第24-35页 |
| 2.1.1 Seeing Leonora in a Shifting Horizon of Expectation | 第24-30页 |
| 2.1.2 Understanding Florence by Peeping through the Gaps | 第30-35页 |
| 2.2 The Angel Figures | 第35-42页 |
| 2.2.1 Nancy: The Innocent Girl Figure | 第36-39页 |
| 2.2.2 Maisie: A Fantasy Figure of Total Submissiveness | 第39-42页 |
| Chapter Ⅲ Ford’s View on Women and Its Formation | 第42-52页 |
| 3.1 Female’s Lack of Voice | 第42-46页 |
| 3.2 The Reasons for Ford’s Female Character Construction | 第46-52页 |
| 3.2.1 His Personal Experiences with Women | 第46-49页 |
| 3.2.2 The Influence of Patriarchy Culture | 第49-52页 |
| Chapter Ⅳ Conclusion | 第52-55页 |
| Bibliography | 第55-58页 |
| 攻读学位期间的研究成果 | 第58页 |
