| ACKNOWLEDGEMENTS | 第6-7页 |
| ABSTRACT | 第7-8页 |
| 摘要 | 第9-13页 |
| Chapter Ⅰ INTRODUTCTION | 第13-23页 |
| 1.1 Khaled Hosseini | 第13-15页 |
| 1.2 And the Mountains Echoed | 第15-18页 |
| 1.3 Literature Review | 第18-21页 |
| 1.4 Significance and Structure of the Research | 第21-23页 |
| Chapter Ⅱ SPATIAL CRITICISM | 第23-34页 |
| 2.1 Spatial Criticism | 第23-32页 |
| 2.2 The Application of Spatial Criticism in Other Fields | 第32-34页 |
| Chapter Ⅲ FEMALE IMAGES IN SOCIAL SPACE | 第34-48页 |
| 3.1 Restrained Images in Patriarchal Society | 第35-40页 |
| 3.1.1 Hidebound Parwana | 第36-38页 |
| 3.1.2 Brave Odelia | 第38-40页 |
| 3.2 Restrained Images under Social Ethnics and Morality | 第40-48页 |
| 3.2.1 Guilty Parwana | 第41-45页 |
| 3.2.2 Silent Adel's mother | 第45-48页 |
| Chapter Ⅳ FEMALE IMAGES IN INDIVIDUAL SPACE | 第48-60页 |
| 4.1 Rebellious Individuals | 第49-54页 |
| 4.1.1 Nila—searching for freedom and romance | 第50-52页 |
| 4.1.2 Madaline—abandoning family for dream | 第52-54页 |
| 4.2 Self-identified Individuals | 第54-60页 |
| 4.2.1 Pari—unlocking the mystery of her birth | 第55-57页 |
| 4.2.2 Roshi—overcoming obstacles | 第57-60页 |
| Chapter Ⅴ FEMALE IMAGES AFTER SPACE SHIFTING | 第60-72页 |
| 5.1 Female Images from Controlled Situation to Empancipatory Situation | 第61-66页 |
| 5.1.1 Nila—liberated in physical condition | 第61-64页 |
| 5.1.2 Masooma—liberated in spiritual condition | 第64-66页 |
| 5.2 Female Images from Confusion to Self-recognition | 第66-72页 |
| 5.2.1 Little Pari—a dedicatory female | 第67-69页 |
| 5.2.2 Thalia—rise from predicament | 第69-72页 |
| Chapter Ⅵ CONCLUSION | 第72-75页 |
| 6.1 Summary of the Research | 第72-73页 |
| 6.2 Contribution of the Research | 第73-74页 |
| 6.3 Limitations and Suggestions for Further Research | 第74-75页 |
| WORKS CITED | 第75-76页 |
