| Abstract | 第1-9页 |
| 摘要 | 第9-11页 |
| Introduction | 第11-14页 |
| Chapter One The Historical Context:an Indispensable Prerequisite | 第14-22页 |
| ·The Social Mainstream Ideology as a General Backdrop | 第14-16页 |
| ·The Cultural Atmosphere | 第16-18页 |
| ·The Criteria of Adaptation at that Time | 第18-22页 |
| Chapter Two The Adapter's Ideological Impacts | 第22-34页 |
| ·A Gender Problem | 第22-27页 |
| ·Disparate Ethnic Standpoints | 第27-30页 |
| ·Cognitive Differences | 第30-34页 |
| Chapter Three The Intrinsical Distinctness between the Two Genres | 第34-47页 |
| ·The Vivid Shaping of the Characters in the Film | 第35-40页 |
| ·The Appropriate Selections of the Actresses and Actors | 第35-37页 |
| ·The Costume Adding More Room for Imagination | 第37-40页 |
| ·The Translation of the Epistolary Narrative into Visual Performance | 第40-47页 |
| ·Montage:a Good Way to Deal with the Temporal and the Spatial | 第40-43页 |
| ·The Presence of Various Symbols to Plump the Depth of the Novel | 第43-47页 |
| Chapter Four Adaptation Driven by the Economical and Critical Benefits | 第47-56页 |
| ·A Pulitzer-Winning Book as "Pre-Sold" Properties | 第47-51页 |
| ·Two Women's Kiss:a Critical Stir | 第51-53页 |
| ·The Comic Elements through the Film:a Big Laugh among Audiences | 第53-56页 |
| Conclusion | 第56-59页 |
| Bibliography | 第59-61页 |
| Acknowledgements | 第61-62页 |
| 学位论文评阅及答辩情况表 | 第62页 |
