| Acknowledgements | 第1-5页 |
| Chinese abstract | 第5-8页 |
| English abstract | 第8-13页 |
| Chapter One Introduction | 第13-18页 |
| ·Reference books | 第13-15页 |
| ·The structure of the paper | 第15-18页 |
| Chapter Two Post-classical narratology | 第18-25页 |
| ·The implied author, the implied reader and the flesh-and-blood reader | 第18-19页 |
| ·Classical, post-structural and deconstructive narratology | 第19-20页 |
| ·Post-classical narratology | 第20-22页 |
| ·Ethical positioning | 第22-25页 |
| Chapter Three Post-classical Narratological Approach to The Sound and the Fury | 第25-51页 |
| ·The techniques of representation of the character of Caddy | 第25-26页 |
| ·The unreliability of the first-person homodiegetic narrators | 第26-27页 |
| ·Section One | 第27-32页 |
| ·The positive character of Caddy | 第27-30页 |
| ·Benjy's producing the scenes of Caddy's sexual maturity and the reader's interpretation | 第30-32页 |
| ·Section Two | 第32-36页 |
| ·Caddy in Quentin's mind: totally depraved | 第32-34页 |
| ·Quentin's narration's unreliability and the reader's ethical positioning | 第34-36页 |
| ·Section Three | 第36-39页 |
| ·Jason's knowledge of Caddy | 第36-38页 |
| ·The ill effect of the Miss Quentin's character on Caddy | 第38-39页 |
| ·Section Four | 第39-42页 |
| ·The use of Caddy's absence in the section | 第39-41页 |
| ·Caddy's access to the positive character | 第41-42页 |
| ·Appendix: two images of Caddy are supported | 第42-46页 |
| ·The implied author's irony against the complicity | 第42-44页 |
| ·Understanding Caddy's physical portrait | 第44-46页 |
| ·The reader's role in understanding Caddy | 第46-51页 |
| Chapter Four Conclusion | 第51-53页 |
| Bibliography | 第53-55页 |
| Publications | 第55页 |
