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精神分析法视角下的品特戏剧《归家》

摘要第5-6页
Abstract第6页
Contents第7-9页
Chapter 1 Introduction第9-16页
    1.1 Harold Pinter and The Homecoming第9-10页
    1.2 Significance and purpose of the thesis第10-11页
    1.3 Literature Review第11-16页
        1.3.1 Related Study Abroad第11-13页
        1.3.2 Related Study at Home第13-16页
    1.4 Structure of the Thesis第16页
Chapter 2 Theoretical Foundation第16-23页
    2.1 The Oedipus Complex第16-18页
    2.2 The Personality Structure第18-21页
    2.3 The Defense Mechanism第21-23页
Chapter 3 The Homecoming in the Perspective of Psychoanalysis第23-43页
    3.1 The Oedipus complex in The Homecoming第23-28页
        3.1.1 Lenny and Joey’s Oedipus Complex第24-27页
        3.1.2 Max and Teddy’s Oedipus Complex第27-28页
    3.2 The Structural Model of Personality in The Homecoming第28-37页
        3.2.1 Unbalance of Id, Ego and Superego of London Family Members第29-32页
        3.2.2 Teddy’s Turbulence in Personality Structure第32-34页
        3.2.3 Ruth’s Powerful Id, Weak Ego and Ineffective Superego第34-37页
    3.3 The Defense Mechanisms in The Homecoming第37-43页
        3.3.1 Lenny’s Depression and Projection第38-39页
        3.3.2 Max’s Depression and Projection第39-41页
        3.3.3 Ruth’s depression and projection第41-43页
Chapter 4 Whose Homecoming?第43-48页
    4.1 Teddy’s Homecoming?第43-44页
    4.2 Ruth’s Homecoming第44-48页
        4.2.1 The Homecoming of Mother — the Savior of the Broken Family第44-45页
        4.2.2 The Homecoming of Goddess—Ruth’s Self-fulfillment第45-48页
Chapter 5 Conclusion第48-50页
Bibliography第50-53页
Appendix第53-54页
Acknowledgements第54页

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