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论《嘉莉妹妹》中作为消费文化空间的剧院

摘要第4-5页
Abstract第5-6页
Introduction第8-18页
Chapter One Theater as a Commercialized Geographical Space第18-31页
    1.1 The location of theaters: prosperous Chicago and New York downtown第18-24页
    1.2 The environment of theaters: luxury and magnificence in Chicago and New York第24-27页
    1.3 Theaters in commercials: advertised Chicago and New York theaters第27-31页
Chapter Two Theater as a Space of Conspicuous Consumption第31-42页
    2.1 Performers in the theater: materialists in consumer culture第31-35页
    2.2 Audiences in the theater: conspicuous consumers第35-38页
    2.3 Plays: advocator of mammonism第38-42页
Chapter Three Theater as a Space of Reproducing Social Relations第42-57页
    3.1 The material rise of Carrie through the theater: American Dream in a consumer society第42-47页
    3.2 Disappearance of Hurstwood from the theater: the anxiety of social status第47-52页
    3.3 Minnie and Mrs. Vance as different consumers of theater: Protestantism VS Consumerism第52-57页
Conclusion第57-60页
Bibliography第60-64页
Acknowledgements第64页

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