| 摘要 | 第1-5页 |
| Abstract | 第5-6页 |
| Acknowledgements | 第6-8页 |
| Introduction | 第8-13页 |
| The Background of the Film | 第8-9页 |
| Literature Review | 第9-12页 |
| The Structure of the Thesis | 第12-13页 |
| Chapter One The Integration of Forms | 第13-21页 |
| ·The Integration of Cultural Elements | 第13-15页 |
| ·The Integration of Soundtracks | 第15-18页 |
| ·The Integration of Dubbing Actors Cast | 第18-21页 |
| Chapter Two The Integration of Chinese Knight-errant Virtues and Puritanism | 第21-38页 |
| ·The Two Values in the Film | 第21-23页 |
| ·The Similarities between the Two Values | 第23-32页 |
| ·The Psychological Needs for the Origin | 第23-26页 |
| ·The Similarity on the Material Level | 第26-28页 |
| ·The Similarity on the Moral Level | 第28-32页 |
| ·Analysis about the Integration of these Two Values | 第32-38页 |
| ·The Decline of Puritanism | 第32-36页 |
| ·The value of Chinese Knight-errant Virtues | 第36-38页 |
| Chapter Three The Integration of Filial Piety and Western Individual Freedom | 第38-47页 |
| ·The Two Values in the Film | 第38-39页 |
| ·Introduction for Filial Piety and Western Individual Freedom | 第39-44页 |
| ·Analysis about the Integration of these Two Values | 第44-47页 |
| ·Drugs Taking as Social Problem in America and the Solution | 第44-45页 |
| ·The Aging Problem in America and the Solution from Filial Piety | 第45-47页 |
| Conclusion | 第47-51页 |
| Works Cited | 第51-52页 |
