| ACKNOWLEDGEMENTS | 第5-6页 |
| ABSTRACT | 第6-7页 |
| 摘要 | 第8-11页 |
| CHAPTER ONE INTRODUCTION | 第11-21页 |
| 1.1 Literature Review | 第12-16页 |
| 1.2 Significance of the Research, Selection Criteria, Research Questions, Layoutof the Thesis | 第16-18页 |
| 1.3 Theoretical Framework | 第18-21页 |
| CHAPTER TWO THE CONSTRUCTION OF NARRATIVE AUTONOMY | 第21-46页 |
| 2.1 The Gender Reversal: Shift of Focalization | 第22-30页 |
| 2.1.1 The Female Protagonist Anna’s Focalization in“The Lady with the PetDog” | 第22-26页 |
| 2.1.2 The Female Protagonist Ilena’s Focalization in“The Dead” | 第26-30页 |
| 2.2 The Return of Female Voices | 第30-36页 |
| 2.2.1 Anna’s Struggle and Awareness through Narrative Discourse | 第30-33页 |
| 2.2.2 Ilena’s Paralysis and Awareness through Narrative Discourse | 第33-36页 |
| 2.3 The Concern of Female Psychological Movement | 第36-40页 |
| 2.3.1 The Predicament of Anna through Non-linear Narration | 第36-38页 |
| 2.3.2 The Mental Confusion of Ilene through Non-linear Narration | 第38-40页 |
| 2.4 The Subversion of Female Images | 第40-46页 |
| 2.4.1 From Silence to Self- awakening: The Image of Anna | 第40-43页 |
| 2.4.2 From One-sided to Flesh-and-blood: The Image of Ilena | 第43-46页 |
| CHAPTER THREE THE APPROPRIATION OF THE ORIGIN AL TEXTS | 第46-57页 |
| 3.1 The Shared Plot Setting | 第46-51页 |
| 3.1.1 The Retaining of Open C losures | 第47-49页 |
| 3.1.2 The Maintains of Epiphany Ending | 第49-51页 |
| 3.2 The Shared Themes in Oates’s Rewrites | 第51-57页 |
| 3.2.1 The Eternal Topic of Love and Marriages | 第51-53页 |
| 3.2.2 The Constant Repeated Motifs: Death and Paralysis | 第53-57页 |
| CHAPTER FOUR THE EXPLORATION OF REWRITES | 第57-65页 |
| 4.1 The Motivation and Legitimization of Oates’s Rewrites | 第57-62页 |
| 4.2 The Effects of Oates’s Rewrites | 第62-65页 |
| CONCLUSION | 第65-69页 |
| WORKS CITED | 第69-70页 |
