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《远山淡影》中的时空叙事

摘要第3-4页
Abstract第4页
Introduction第7-15页
    Kazuo Ishiguro and A Pale View of Hills第7-10页
    Literature Review第10-12页
    Purposes and Significance第12-15页
Chapter One The Features of Time-space Structure第15-34页
    1.1 Time-space Interlaced Structure: Thematic and Aesthetic Meanings第16-22页
        1.1.1 Narrative Rhythm and Thematic Meanings第16-19页
        1.1.2 Time-Space Aesthetics and Japanese Traditional Aesthetics第19-22页
    1.2 The Relationships Constructed in the Time-space Structure第22-31页
        1.2.1 The Divided Self第23-24页
        1.2.2 Inter-generational Relationship and Conflicts第24-27页
        1.2.3 The Metaphor of Interpersonal Relationship第27-29页
        1.2.4 The Change of Interpersonal Relationship in Historical Time andSpace第29-31页
    1.3 The Time-Space Narrative Inspired by Film Narrative: Spatial Turn第31-34页
Chapter Two The Construction of Narrative Time and Space第34-59页
    2.1 The Construction of Narrative Time第34-37页
    2.2 The Construction of Narrative Space第37-48页
        2.2.1 Gender and Space第39-43页
        2.2.2 The Urban Space第43-48页
    2.3 The Story Development第48-51页
    2.4 The Blank-leaving第51-59页
Chapter Three The Intersection of Historical Narrative and Fictional Narrative第59-73页
    3.1 The Intersection of Historical Narrative and Fictional Narrative第59-62页
    3.2 The Intersection of Personal Experience and Fictional Narrative第62-66页
        3.2.1 Etsuko's Personal Experience: The Emotional Return of Immigrants第63-65页
        3.2.2 The Author's Personal Experience: Root-seeking第65-66页
    3.3 The Time Configuration in Fictional Narrative第66-69页
    3.4 The Space Boundary of Fictional Narrative第69-71页
    3.5 The Breakthrough in the Boundary of Time and Space第71-73页
Conclusion第73-77页
Acknowledgement第77-78页
Reference第78-80页

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