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冈仓天心英文作品自我与他者形象的跨文化辩证研究

Acknowledgements第6-7页
摘要第7-9页
Abstract第9-11页
Chapter One: Introduction第15-44页
    1.1 Research Background and Rationale第15-18页
    1.2 Research Questions and Significance第18-21页
    1.3 Research Methodology and Epistemology第21-24页
    1.4 Research Objects: Okakura and his Works第24-44页
        1.4.1 A Prominent Figure in the Meiji Era第24-29页
            1.4.1.1 Nurture from Multiethnic Sources第24-25页
            1.4.1.2 Exposure to a Fluctuating Circumstance第25-26页
            1.4.1.3 Experience with Greater Global Vision第26-29页
        1.4.2 Okakura’s Works in English第29-44页
            1.4.2.1 The Awakening of the East第34-35页
            1.4.2.2 The Ideals of the East第35-37页
            1.4.2.3 The Awakening of Japan第37-38页
            1.4.2.4 The Book of Tea第38-44页
Chapter Two: Literature Review第44-68页
    2.1 Theoretical Framework第44-51页
        2.1.1 Imagology第44-49页
        2.1.2 Intercultural Image Studies第49-51页
    2.2 Conceptualization of the Self and the Other第51-60页
        2.2.1 Important Definitions of Selfhood and Otherness第51-55页
            2.2.1.1 The Self and the Other in Philosophy第51-52页
            2.2.1.2 The Self and the Other in Cultural Studies and Intercultural Communication Studies第52-53页
            2.2.1.3 The Self and the Other in Image Studies第53-55页
        2.2.2 New Paradigms in Intercultural Communication Studies第55-60页
            2.2.2.1 Critical Intercultural Communication第55-59页
            2.2.2.2 Towards a Dialectical Perspective第59-60页
    2.3. Studies on Okakura and his works第60-68页
Chapter Three: Intercultural Images in Okakura’s Works第68-105页
    3.1 Images of the Self and the Other第68-90页
        3.1.1 The Western Images of Asia第68-75页
        3.1.2 Okakura’s Images of the West第75-79页
        3.1.3 The Self-constructed Images of Asia第79-88页
        3.1.4 Dynamic Process of Othering and Self-othering第88-90页
    3.2 Sustained Dialogue between the East and the West第90-103页
        3.2.1 Complementing Images第90-98页
        3.2.2 Inherent Conflicting Images第98-103页
            3.2.2.1 The Conscious Fighting Against the Aggressive Image of Asia .第99-101页
            3.2.2.2 The Unconscious Reinforcement of the “Aggressive” Asia第101-103页
    3.3 Summary第103-105页
Chapter Four: Factors Affecting the Construction of the Images第105-118页
    4.1 Explicit Factors第105-109页
        4.1.1 Time as Vertical Axis第105-107页
        4.1.2 Distance as Horizontal Axis第107-108页
        4.1.3 Angle from Different Positions第108-109页
    4.2 Implicit Factors第109-116页
        4.2.1 Identity Shifts第109-111页
        4.2.2 Power Manipulations第111-113页
        4.2.3 Nationalistic Sentiment第113-116页
    4.3 Summary第116-118页
Chapter Five: Okakura’s Identity in Literary Expressions第118-154页
    5.1 A Multifaceted Identity in Style第119-136页
        5.1.1 Hybridity第119-126页
            5.1.1.1 Content within the Code第119-122页
            5.1.1.2 Superiority vs. Inferiority第122-126页
        5.1.2 Fluidity第126-131页
            5.1.2.1 The Elusive and The Everlasting第126-129页
            5.1.2.2 The Root and The Route第129-131页
        5.1.3 Ambivalence第131-136页
            5.1.3.1 Conflicts vs. Compromises第131-135页
            5.1.3.2 Sense of Pride vs. Sense of Guilt第135-136页
    5.2 An Interwoven Intertextuality Phenomena第136-152页
        5.2.1 Diction with Intertextual Memes第138-143页
            5.2.1.1 Coinage第138-141页
            5.2.1.2 Idioms第141-143页
        5.2.2 Texts Embedded in Texts第143-152页
            5.2.2.1 Paragraphs and Sentences第143-145页
            5.2.2.2 Rhetorical Devices第145-152页
    5.3 Summary第152-154页
Chapter Six: Conclusion第154-159页
    6.1 Summary第154-157页
    6.2 Limitation of the Study第157-158页
    6.3 Implications and Prospects for Future Research第158-159页
References第159-172页

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