| 摘要 | 第4-5页 |
| Abstract | 第5页 |
| Introduction | 第7-18页 |
| Chapter One When Art Intersects Life:Realistic Components in Nine Stories | 第18-27页 |
| 1. America in the 1950s:Glory and Uncertainty | 第19-21页 |
| 2. Soldier Salinger:Writing as Survival | 第21-24页 |
| 3. Salinger's Study of Zen Buddhism:Writing as Religion | 第24-27页 |
| Chapter Two Radical Innocence:Nine Stories as an Anti-Bildungsroman | 第27-43页 |
| 1. A "Slight" Rebellion off Novel: Short Story Cycle as the Form | 第28-32页 |
| 2. Characters Inverted:Loveless Semi-Adults vs.Redemptive Children and Adolescents | 第32-37页 |
| 3. Down to Banality:At the Moments of Redemption | 第37-43页 |
| Chapter Three Significance Understated:What Salinger's Silence Speaks | 第43-51页 |
| 1. Silence as Salinger's "Right Living" as a Human Being | 第44-46页 |
| 2. Silence as Salinger's "Right Expression" as an Artist | 第46-51页 |
| Conclusion | 第51-54页 |
| Works Cited | 第54-57页 |
| Works Consulted | 第57-58页 |
| Acknowledgements | 第58页 |
