| Acknowledgements | 第1-3页 |
| 中文摘要 | 第3-4页 |
| Abstract | 第4-5页 |
| 中文提要 | 第5-8页 |
| Synopsis | 第8-15页 |
| Introduction | 第15-18页 |
| Chapter 1 How to Interpret Fiction? | 第18-30页 |
| ·A Brief Introduction to Fiction Interpretation | 第18-19页 |
| ·Stylistic Approach to Fiction Interpretation | 第19-21页 |
| ·Narratological Approach to Fiction Interpretation | 第21-23页 |
| ·Why Are Both Stylisticians and Narratologists Interested in Narrative Point of View? | 第23-25页 |
| ·Definitions of Narrative Point of View | 第25-27页 |
| ·The General Role of Narrative Point of View in Fiction Interpretation | 第27-30页 |
| Chapter 2 Classification of Point of View | 第30-49页 |
| ·Classification of Point of View | 第30-37页 |
| ·Traditional Classification of Point of View | 第30-31页 |
| ·Modern Classification of Point of View | 第31-36页 |
| ·Narrative Point of View and Narrative Voice | 第31-33页 |
| ·Friedman’s Classification of Point of View | 第33-35页 |
| ·Genette’s Classification of Point of View | 第35-36页 |
| ·Why Do We Use ‘Focalization’Instead of ‘Point of View’in This Thesis? | 第36-37页 |
| ·Modes of Speech Presentation and Focalization | 第37-40页 |
| ·Direct Speech (DS) | 第37-38页 |
| ·Indirect Speech (IS) | 第38页 |
| ·Free Direct Speech (FDS) | 第38-39页 |
| ·Free Indirect Speech (FIS) | 第39页 |
| ·Narrative Report of Speech Act (NRSA) | 第39-40页 |
| ·Nature and Literary Function of Modes of Focalization | 第40-44页 |
| ·Nature and Literary Function of Zero Focalization | 第40-41页 |
| ·Nature and Literary Function of Internal Focalization | 第41-43页 |
| ·Nature and Literary Function of External Focalization | 第43-44页 |
| ·Shift and Transgression of Mode of Focalization | 第44-46页 |
| ·Modes of Focalization and Stylistic Effects | 第46-49页 |
| Chapter 3 Analysis of Modes of Focalization in Hemingway’s Fiction | 第49-75页 |
| ·A Brief Introduction to Hemingway’s Style | 第49-52页 |
| ·Analysis of the Modes of Focalization and Their Stylistic Effects in Hemingway’s Two Novels | 第52-64页 |
| ·A Narratological Stylistic Analysis of A Farewell to Arms | 第52-58页 |
| ·The Theme of A Farewell to Arms | 第52-53页 |
| ·Mode of Focalization in A Farewell to Arms | 第53-55页 |
| ·Shift of Mode of Focalization in A Farewell to Arms | 第55-56页 |
| ·Speech Presentation in A Farewell to Arms | 第56-58页 |
| ·A Narratological Stylistic Analysis of The Old Man and the Sea | 第58-63页 |
| ·The Theme of The Old Man and the Sea | 第58-59页 |
| ·Mode of Focalization in The Old Man and the Sea | 第59-61页 |
| ·Shift of Mode of Focalization in The Old Man and the Sea | 第61-62页 |
| ·Speech Presentation in The Old Man and the Sea | 第62-63页 |
| ·Summary | 第63-64页 |
| ·Analysis of the Modes of Focalization and Their Stylistic effects in Hemingway’s Three Short Stories | 第64-73页 |
| ·A Narratological Stylistic Analysis of The Short Happy Life of Francis Macomber | 第64-67页 |
| ·The Theme of The Short Happy Life of Francis Macomber | 第64页 |
| ·Mode of Focalization in The Short Happy Life of Francis Macomber | 第64-67页 |
| ·Shift of Mode of Focalization in The Short Happy Life of Francis Macomber | 第67页 |
| ·A Narratological Stylistic Analysis of Indian Camp | 第67-70页 |
| ·The Theme of Indian Camp | 第67-68页 |
| ·Mode of Focalization in Indian Camp | 第68-70页 |
| ·Transgression of Mode of Focalization in Indian Camp | 第70页 |
| ·A Narratological Stylistic Analysis of Hills like White Elephants | 第70-73页 |
| ·The Theme of Hills like White Elephants | 第70-71页 |
| ·Mode of Focalization in Hills like White Elephants | 第71-72页 |
| ·Transgression of Mode of Focalization in Hills like White Elephants | 第72-73页 |
| ·Summary | 第73页 |
| ·Conclusion | 第73-75页 |
| Chapter 4 Modes of Focalization Compared between Hemingway’s Novels and Short Stories | 第75-82页 |
| ·Internal Focalization vs. External Focalization | 第75-78页 |
| ·Internal Focalization in Hemingway’s Novels | 第75-76页 |
| ·External Focalization in Hemingway’s Short Stories | 第76-78页 |
| ·Focalization on Protagonists vs. Focalization on Minor Characters | 第78-79页 |
| ·Focalization on Protagonists in Hemingway’s Novels | 第78-79页 |
| ·Focalization on Minor Characters in Hemingway’s Short Stories | 第79页 |
| ·Steady Focalization vs. Variable Focalization | 第79-81页 |
| ·Steady Focalization in Hemingway’s Novels | 第79-80页 |
| ·Variable Focalization in Hemingway’s Short Stories | 第80-81页 |
| ·Summary | 第81-82页 |
| Conclusion | 第82-84页 |
| Bibliography | 第84-87页 |
| 个人简历与研究成果 | 第87页 |
