| ACKNOWLEDGEMENTS | 第1-6页 |
| 摘要 | 第6-8页 |
| ABSTRACT | 第8-10页 |
| ABBREVIATIONS FOR JAMES BALDWIN'S WORKS | 第10-11页 |
| CHAPTER ONE INTRODUCTION | 第11-21页 |
| ·BALDWIN'S LITERARY CONTRIBUTION | 第11-12页 |
| ·LITERARY REVIEW OF BALDWIN'S WORKS HOME AND ABROAD | 第12-19页 |
| ·NOVELTIES AND WRITING METHODS OF THE THESIS | 第19-21页 |
| CHAPTER TWO RELIGION IN BALDWIN'S LITERARY WRITINGS | 第21-40页 |
| ·GOD IN AFRO-AMERICAN HISTORY AND LITERATURE | 第21-22页 |
| ·GOD IN BALDWIN'S LIFE AND LITERARY WORKS | 第22-26页 |
| ·AN AMBIGUOUS REDEMPTION OF JOHN IN GO TELL IT ON THE MOUNTAIN | 第26-33页 |
| ·John-a Genuine Saved One | 第28-30页 |
| ·Baldwin and John's Doubt of God in Black Fundamental Church | 第30-32页 |
| ·John's Quest for a Loving God | 第32-33页 |
| ·TWO DIFFERENT IMAGES OF GOD IN TAC-GOD IN BLACK FUNDAMENTAL CHURCH AND GOD IN THE SECULAR WORLD | 第33-40页 |
| ·Rejection of the Black Fundamental God | 第34-37页 |
| ·Quest for a Loving God in the Secular World | 第37-40页 |
| CHAPTER THREE SEX MYTH IN JAMES BALDWIN'S LITERARY WRITINGS | 第40-58页 |
| ·BRIEF INTRODUCTION OF SEXUALITY TO BALDWIN'S LITERARY WRITINGS | 第40页 |
| ·BALDWIN'S QUEST FOR SEXUAL IDENTITY IN GIOVANNI'S ROOM | 第40-48页 |
| ·Homosexuality and Homophobia in David's Sexual Development | 第42-45页 |
| ·Geological Places as a Metaphorical Symbol of David's Homophobic State | 第45-48页 |
| ·SEX AS A DESTRUCTIVE OR REDEMPTIVE FORCE IN ANOTHER COUNTRY | 第48-58页 |
| ·Sexual Abuse as a Way to Achieve One's Manhood | 第49-54页 |
| ·Sexual Love as a Redemptive Force to Achieve Reconciliation | 第54-58页 |
| CHAPTER FOUR BLACK MUSIC IN BALDWIN'S LITERARY WRITINGS | 第58-76页 |
| ·BLACK MUSIC AS AN ART | 第58-60页 |
| ·JAMES BALDWIN AND AFRO-AMERICAN MUSIC | 第60-62页 |
| ·METAPHORICAL BLUES IN SONNY'S BLUES | 第62-70页 |
| ·A Blues-like Story of the Two Brothers | 第63-64页 |
| ·Sonny-a Typical Blues Man | 第64-66页 |
| ·Suffering as a Basic Factor of Playing Blues | 第66-68页 |
| ·Joint Community Effort as another Basis of Improvising Blues | 第68-70页 |
| ·Blues Serves a Way to One's Identity | 第70页 |
| ·BLUES AS THE BRIDGE FROM HOLY GOD TO SECULAR LOVE IN THE AMEN CORNER | 第70-74页 |
| ·Luke and David as the Blues Men | 第71页 |
| ·Blues as a Redemptive Power | 第71-74页 |
| ·SECULAR LOVE AS THE ULTIMATE OBJECTIVE OF PLAYING MUSIC | 第74-76页 |
| CHAPTER FIVE CONCLUSION | 第76-77页 |
| BIBLIOGRAPHY: | 第77-81页 |
