| Abstract | 第1-7页 |
| 摘要 | 第7-10页 |
| Chapter One Introduction | 第10-12页 |
| Chapter Two Theoretical Framework | 第12-19页 |
| ·The Origin of Register Theory | 第12页 |
| ·The Concept of Register Theory | 第12-14页 |
| ·Three Register Factors | 第14-17页 |
| ·Field | 第14-15页 |
| ·Tenor | 第15-16页 |
| ·Mode | 第16-17页 |
| ·Application of Register Theory | 第17-19页 |
| Chapter Three A Brief Introduction to The Bluest Eye | 第19-27页 |
| ·A Brief Introduction to the Author and Her Time | 第19-20页 |
| ·A Brief Introduction to The Bluest Eye | 第20-23页 |
| ·Characters in The Bluest Eye | 第20-21页 |
| ·Stories in The Bluest Eye | 第21页 |
| ·Theme of The Bluest Eye | 第21-22页 |
| ·Motifs in The Bluest Eye | 第22-23页 |
| ·Symbols in The bluest Eye | 第23页 |
| ·Language in The Bluest Eye | 第23-27页 |
| ·Background of Black English | 第24页 |
| ·Features of Black English | 第24-27页 |
| Chapter Four Register Analysis in The Bluest Eye | 第27-55页 |
| ·Field Analysis | 第27-35页 |
| ·Subject Matter in The Bluest Eye | 第27页 |
| ·Morrison's Use of Black English | 第27-34页 |
| ·Phonological Features of Black English in The Bluest Eye | 第28页 |
| ·Syntactical Features of Black English | 第28-30页 |
| ·Lexical Features of Black English | 第30-31页 |
| ·Morrison's Black Preacher's Voices | 第31-32页 |
| ·Morrison's Use of Standard English in The Bluest Eye | 第32-34页 |
| ·Characters' Topic- A Reflection of their identity | 第34-35页 |
| ·Tenor Analysis | 第35-44页 |
| ·Tenor:A Reflection of the Relationship between Characters | 第35-41页 |
| ·The Relationship between Claudia and Her Mother | 第35-37页 |
| ·The Relationship between Mrs.McTeer and Rosemary | 第37-38页 |
| ·The Relationship between Cholly Breedlove and Pauline Breedlove | 第38-39页 |
| ·The Relationship between Claudia and Maureen | 第39-41页 |
| ·Tenor:A Reflection of the Personality of the Characters | 第41-44页 |
| ·Mode Analysis | 第44-55页 |
| ·Interior Monologue | 第44-45页 |
| ·Monologues | 第45-46页 |
| ·Dialogues | 第46-47页 |
| ·The Aural Effect of the Dialogue | 第46页 |
| ·Implication of the Dialogue | 第46-47页 |
| ·Multiple Narratives | 第47-49页 |
| ·Typical African American Spoken Way of Story-Telling | 第49页 |
| ·Unique Structures | 第49-55页 |
| ·Typical African Music | 第50-52页 |
| ·Creative Arrangement of the Written Form in Prologue | 第52-55页 |
| Chapter Five Conclusion | 第55-57页 |
| Bibliography | 第57-60页 |
| Acknowledgements | 第60页 |
