| Acknowledgements | 第1-5页 |
| Abstract (Chinese) | 第5-6页 |
| Abstract (English) | 第6-9页 |
| Introduction | 第9-14页 |
| Chapter One A Structuralist Perspective of Marlowe's Tragedy | 第14-21页 |
| 1. Binary Opposition: A Forceful Approach of Structuralism | 第14-16页 |
| 2. The Structuralist Narrative Theories of Greimas and Todorov | 第16-19页 |
| ·The Structuralist Narrative Theory of Greimas on Semantics | 第17-18页 |
| ·The Structural Narrative Theory of Todorov on Syntactics | 第18-19页 |
| 3. A Structuralist Perspective of Marlowe's Two Tragic Plays | 第19-21页 |
| Chapter Two Binary Opposition in The Tragical History of Doctor Faustus | 第21-31页 |
| 1. Binary Oppositions in the Double Plots | 第21-24页 |
| 2. Binary Oppositions in the Settings | 第24-25页 |
| 3. Binary Opposition in Characterization | 第25-29页 |
| ·Good Angel vs. Evil Angel | 第25-26页 |
| ·Faustus Himself as a Binary Opposition | 第26-28页 |
| ·Mephastophilis | 第28-29页 |
| 4. The Pattern of Narrative in the Theme | 第29-31页 |
| Chapter Four Binary Opposition in The Jew of Malta | 第31-40页 |
| 1. Binary Oppositions in the Double Plots | 第31-34页 |
| 2. Binary Oppositions in the Settings | 第34-36页 |
| 3. Binary Opposition in Characterization | 第36-38页 |
| ·Barabas the Jew | 第36页 |
| ·Ferneze the Christian | 第36-37页 |
| ·Friar Jacomo and Bernardine | 第37-38页 |
| ·Ithamore the Turkish Slave | 第38页 |
| 4. The Pattern of Narrative in Theme | 第38-40页 |
| Conclusion | 第40-42页 |
| Bibliography | 第42页 |
