| 摘要 | 第1-5页 |
| Abstract | 第5-8页 |
| Introduction | 第8-13页 |
| Chapter One Popular Music in the Working-class Girls’Subculture | 第13-30页 |
| ·Pop Music of the Teenybop Type | 第14-19页 |
| ·Home and Bedroom: The Centrality of Teenybopper | 第14-17页 |
| ·Visual Pleasures from Pop Stars’Pin-ups | 第17-19页 |
| ·The Cock Rock | 第19-24页 |
| ·Construction of Resistance Identity | 第20-22页 |
| ·Sexual Control on the Girls | 第22-24页 |
| ·Ragga Music | 第24-30页 |
| ·Rejection to the Norms of Femininity | 第25-27页 |
| ·Moral Panic Provoked by Ragga Music | 第27-30页 |
| Chapter Two Dresses in the Working-class Girls’Subculture | 第30-44页 |
| ·Creative Way of Dressing School Uniform | 第31-36页 |
| ·Discourse and Discipline Represented by the School Uniform | 第32-34页 |
| ·Resistance by Adaptation on the School Uniform | 第34-36页 |
| ·Dresses of Motor-bike Girls | 第36-40页 |
| ·The Dresses –the Best Way to Approach Subculture | 第36-38页 |
| ·Symbolic Creativity –Motor-bike Girls’Masculine Dresses | 第38-40页 |
| ·Punk Girls’Second-hand Dresses | 第40-44页 |
| ·Nostalgia: Dissatisfaction with the Reality | 第40-42页 |
| ·Punk Girls’Gender Identity in the Second-hand Dresses | 第42-44页 |
| Chapter Three Working-class Girls’Rave and Dance Culture | 第44-55页 |
| ·Girls’Hyper-sexual Appearance in the Rave | 第46-51页 |
| ·The Controlled Female Body | 第46-48页 |
| ·Girls’Active Bodily Involvement in Rave | 第48-51页 |
| ·Girls’Cautious Self-protection in Rave Party | 第51-55页 |
| ·The Causes of Girls’Self-protection in Rave Party | 第51-52页 |
| ·The Ways of Girl’s Self-protection | 第52-55页 |
| Conclusion | 第55-59页 |
| Works Cited | 第59-66页 |
