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颠覆与重构—新历史主义视角下《中国佬》的研究

Acknowledgements第4-5页
Abstract第5-6页
摘要第7-11页
Chapter 1 Introduction第11-23页
    1.1 Maxine Hong Kingston and Her Masterpiece第11-15页
        1.1.1 Maxine Hong Kingston:a Prestigious Chinese American Writer第12-13页
        1.1.2 China Men:a Family Saga第13-15页
    1.2 Literature Review第15-20页
        1.2.1 The Study of China Men Abroad第15-17页
        1.2.2 The Study of China Men at Home第17-20页
    1.3 Structure and Significance of the Thesis第20-23页
        1.3.1 Structure of the Thesis第20-21页
        1.3.2 Significance of the Thesis第21-23页
Chapter 2 Theoretical Basis第23-32页
    2.1 The Development of New Historicism第23-25页
    2.2 Old Historicism and New Historicism第25-28页
    2.3 Stephen Greenblatt's Cultural Poetics第28-32页
Chapter 3 Subversion of Authoritative History第32-46页
    3.1 Questioning the Credibility of Photographs第33-36页
        3.1.1 Reflection of Truth in the Photographs第33-35页
        3.1.2 Misleading Presentation of the Photographs第35-36页
    3.2 Parody of Literary Stories第36-41页
        3.2.1 The Image of Chinese Emasculation:Tang Ao第37-39页
        3.2.2 Discoverer of America:Lo Bun Sun第39-41页
    3.3 Records of Discriminatory Laws第41-46页
        3.3.1 Legalized Discrimination against Chinese Americans第42-44页
        3.3.2 Temporary Victory in Maintaining Legal Rights第44-46页
Chapter 4 Reconstruction of Authentic History第46-55页
    4.1 Subverting Stereotyped Male Image第46-49页
        4.1.1 Aphasic People第47-48页
        4.1.2 Breaking Silence第48-49页
    4.2 Questioning American Dream第49-52页
        4.2.1 The True American Dream第49-50页
        4.2.2 The Result of Seeking American Dream第50-52页
    4.3 Pursuit of Cultural Identity第52-55页
        4.3.1 Marginalized Hobo第52-53页
        4.3.2 Finding the Sense of Belonging第53-55页
Chapter 5 Conclusion第55-58页
References第58-62页
攻读硕士期间的科研成果第62页

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