| 摘要 | 第7-8页 |
| Abstract | 第8-9页 |
| Introduction | 第10-18页 |
| 0.1 ABrief Introduction of Norman Mailer and The Armies of the Night | 第10-12页 |
| 0.2 Literature Review | 第12-16页 |
| 0.3 Thesis Statement | 第16-18页 |
| Chapter One Theoretical Foundation | 第18-27页 |
| 1.1 The Definition of New Journalism | 第18-19页 |
| 1.2 The Background of New Journalism | 第19-21页 |
| 1.3 The Characteristics of New Journalism | 第21-27页 |
| 1.3.1 Intensive Reportage | 第22-23页 |
| 1.3.2 Subjective Tendencies | 第23-24页 |
| 1.3.3 Fictional Techniques | 第24-27页 |
| Chapter Two Manifestations of Intensive Reportage in The Armies of the Night | 第27-39页 |
| 2.1 The Provable Historical Truth | 第27-33页 |
| 2.1.1 An In-depth Reportage of the Vietnam War | 第27-31页 |
| 2.1.2 Norman Mailer’s Participation in Demonstration | 第31-33页 |
| 2.2 An Untruthful Objective Reportage | 第33-36页 |
| 2.2.1 The Unreal Reportage of the Parade | 第33-34页 |
| 2.2.2 The Untruthful Reportage of (the Hero) Mailer’s Arrest | 第34-36页 |
| 2.3 Contradiction and Unity Between Historical Truth and Objectivity of Reportage in the Novel | 第36-39页 |
| Chapter Three The Reflections of Subjective Tendencies in The Armies of the Night | 第39-53页 |
| 3.1 Private Opinions Involved in the Integration of Materials | 第39-44页 |
| 3.1.1 The Combination of Private Recall and the Historical Record | 第39-42页 |
| 3.1.2 The Unification Between Objective Time and Subjective Scenes | 第42-44页 |
| 3.2 The Interpretations of the Characters’ Inner World | 第44-48页 |
| 3.2.1 The Descriptions of (the Hero) Mailer’s Contradictory Minds | 第44-46页 |
| 3.2.2 The Cold War Between Mailer (the Hero) and a Nazi | 第46-48页 |
| 3.3 Rich Associations Based on Truth | 第48-53页 |
| 3.3.1 Comic Associations Between the White Bread and a Negro | 第49-50页 |
| 3.3.2 Imaginations Between Mass Rally and American Wars | 第50-53页 |
| Chapter Four The Embodiment of Fictional Techniques in The Armies of the Night | 第53-67页 |
| 4.1 Recording Dialogue in Full | 第53-57页 |
| 4.1.1 Ironic Words Between Mailer (the Hero) and Lowell | 第53-55页 |
| 4.1.2 Tense Confrontation Between Mailer (the Hero) and Military Police | 第55-57页 |
| 4.2 The Depictions of Symbolic Details | 第57-62页 |
| 4.2.1 Humble Dining Room of the Liberal | 第57-59页 |
| 4.2.2 Crazy Exorcism | 第59-62页 |
| 4.3 The Set of Composite Characterization | 第62-67页 |
| Conclusion | 第67-70页 |
| Bibliography | 第70-72页 |
| 攻读硕士学位期间所发表的学术论文 | 第72-74页 |
| Acknowledgements | 第74页 |
