| 摘要 | 第1-5页 |
| Abstract | 第5-6页 |
| Acknowledgement | 第6-8页 |
| Introduction | 第8-18页 |
| A. Literature Review: Movie Criticism and Culture Studies | 第8-11页 |
| B. The Significance of the Thesis | 第11-12页 |
| C. Theoretical Foundation | 第12-15页 |
| D. An Introduction to Species Ⅳ: the Awakening | 第15-16页 |
| E. Structure of the Thesis | 第16-18页 |
| Chapter One Decoding the Ideological Code of Racism | 第18-27页 |
| ·The Definition of Racism | 第18-19页 |
| ·The Construction of Racism in the Movie | 第19-25页 |
| ·The Ethnic Construction of the Casting | 第19-22页 |
| ·The Destiny of the Heroine/Villainess and the Hero/Villain | 第22-25页 |
| ·The Encoding of Racism | 第25-27页 |
| Chapter Two Decoding the Ideological Code of Patriarchy | 第27-34页 |
| ·The Definition of Patriarchy | 第27-28页 |
| ·The Construction of Patriarchy in the Movie | 第28-33页 |
| ·The Subordination of Women to Men | 第29-31页 |
| ·Women as the Objects for Men’s Consumption | 第31-33页 |
| ·The Encoding of Patriarchy | 第33-34页 |
| Chapter Three Decoding the Ideological Code of Christianity | 第34-42页 |
| ·A Review of the Relation between Christianity and Movie | 第34-35页 |
| ·The Construction of Christian Ideology | 第35-41页 |
| ·Christianity and the Narrative of the Movie | 第35-38页 |
| ·Christianity and the Destiny of the Characters | 第38-41页 |
| ·The Encoding of the Christian Ideology | 第41-42页 |
| Conclusion | 第42-45页 |
| Works Cited | 第45-47页 |
