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尤金·奥尼尔《进入黑夜的漫长旅程》语用文体分析

Acknowledgements第6-7页
摘要第7-8页
Abstract第8页
Chapter 1 Introduction第11-16页
    1.1 Introduction to Eugene O’Neill and Long Day’s Journey into Night第11-13页
    1.2 Research Questions and Methods of this Study第13-14页
    1.3 Objectives and Significance of the Study第14-15页
    1.4 Structure of this Study第15-16页
Chapter 2 Literature Review第16-25页
    2.1 Researches on Stylistics of Drama第16-21页
        2.1.1 Researches on Stylistic Analysis of Drama Abroad第16-19页
        2.1.2 Researches on Stylistic Analysis of Drama in China第19-21页
    2.2 Researches on Long Day’s Journey into Night第21-25页
        2.2.1 Criticism Abroad第21-22页
        2.2.2 Criticism at Home第22-25页
Chapter 3 Research Methodology第25-36页
    3.1 The Cooperative Principle第25-26页
    3.2 Turn-taking System in Conversation Analysis第26-33页
        3.2.1 Relevant Notions of Turn-taking第27-30页
        3.2.2 Turn-taking in Dramatic Analysis第30-33页
    3.3 An Analytical Framework for the Present Study第33-36页
Chapter 4 Pragmastylistic Analysis of Long Day’s Journey into Night第36-65页
    4.1 Applying Conversation Analysis to the Play第36-51页
        4.1.1 Analysis of Conversations between Tyrone and Jamie第37-41页
        4.1.2 Analysis of Conversations between Tyrone and Mary第41-46页
        4.1.3 Analysis of Conversations between Mary, Jamie and Edmund第46-49页
        4.1.4 Analysis of Conversations among the Family Members第49-51页
    4.2 Non-observance of Conversational Maxims in the Play第51-61页
        4.2.1 Flouting the Quantity Maxim第52-55页
        4.2.2 Flouting the Quality Maxim第55-57页
        4.2.3 Flouting the Relation Maxim第57-59页
        4.2.4 Flouting the Manner Maxim第59-61页
    4.3 Stylistic Significance of the Dramatic Text第61-65页
        4.3.1 Characterization第61-63页
        4.3.2 Theme Construction第63-65页
Chapter 5 Conclusion第65-68页
    5.1 Summary of the Study第65-66页
    5.2 Significance of the Study第66-67页
    5.3 Limitations of the Study and Suggestions for Further Study第67-68页
References第68-72页
Appendix第72-78页

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