Acknowledgements | 第6-7页 |
摘要 | 第7-8页 |
Abstract | 第8页 |
Chapter 1 Introduction | 第11-16页 |
1.1 Introduction to Eugene O’Neill and Long Day’s Journey into Night | 第11-13页 |
1.2 Research Questions and Methods of this Study | 第13-14页 |
1.3 Objectives and Significance of the Study | 第14-15页 |
1.4 Structure of this Study | 第15-16页 |
Chapter 2 Literature Review | 第16-25页 |
2.1 Researches on Stylistics of Drama | 第16-21页 |
2.1.1 Researches on Stylistic Analysis of Drama Abroad | 第16-19页 |
2.1.2 Researches on Stylistic Analysis of Drama in China | 第19-21页 |
2.2 Researches on Long Day’s Journey into Night | 第21-25页 |
2.2.1 Criticism Abroad | 第21-22页 |
2.2.2 Criticism at Home | 第22-25页 |
Chapter 3 Research Methodology | 第25-36页 |
3.1 The Cooperative Principle | 第25-26页 |
3.2 Turn-taking System in Conversation Analysis | 第26-33页 |
3.2.1 Relevant Notions of Turn-taking | 第27-30页 |
3.2.2 Turn-taking in Dramatic Analysis | 第30-33页 |
3.3 An Analytical Framework for the Present Study | 第33-36页 |
Chapter 4 Pragmastylistic Analysis of Long Day’s Journey into Night | 第36-65页 |
4.1 Applying Conversation Analysis to the Play | 第36-51页 |
4.1.1 Analysis of Conversations between Tyrone and Jamie | 第37-41页 |
4.1.2 Analysis of Conversations between Tyrone and Mary | 第41-46页 |
4.1.3 Analysis of Conversations between Mary, Jamie and Edmund | 第46-49页 |
4.1.4 Analysis of Conversations among the Family Members | 第49-51页 |
4.2 Non-observance of Conversational Maxims in the Play | 第51-61页 |
4.2.1 Flouting the Quantity Maxim | 第52-55页 |
4.2.2 Flouting the Quality Maxim | 第55-57页 |
4.2.3 Flouting the Relation Maxim | 第57-59页 |
4.2.4 Flouting the Manner Maxim | 第59-61页 |
4.3 Stylistic Significance of the Dramatic Text | 第61-65页 |
4.3.1 Characterization | 第61-63页 |
4.3.2 Theme Construction | 第63-65页 |
Chapter 5 Conclusion | 第65-68页 |
5.1 Summary of the Study | 第65-66页 |
5.2 Significance of the Study | 第66-67页 |
5.3 Limitations of the Study and Suggestions for Further Study | 第67-68页 |
References | 第68-72页 |
Appendix | 第72-78页 |