| 摘要 | 第1-8页 |
| Abstract | 第8-10页 |
| Introduction | 第10-18页 |
| ·A Brief Introduction of Daphne du Maurier | 第10-13页 |
| ·A Brief Introduction of Jamaica Inn | 第13-18页 |
| Chapter One Female Gothic Novel | 第18-30页 |
| ·The Origin and Development of Female Gothic Novel | 第18-24页 |
| ·The Origin of Gothic Novel | 第18-22页 |
| ·From Gothic Novel to Female Gothic Novel | 第22-24页 |
| ·The Relationship between Female Gothic Novel and Feminist Theories | 第24-30页 |
| ·Anxiety of Authorship Theory | 第25-27页 |
| ·Gothic Feminism Theory | 第27-30页 |
| Chapter Two The Interpretation of the Female Gothic Features of Images inJamaica Inn | 第30-46页 |
| ·The Images of Enclosed Space:Female Airtight Trouble | 第30-36页 |
| ·Jamaica Inn:Dark and Gloomy | 第31-33页 |
| ·The Vicarage:Sealed and Weird | 第33-36页 |
| ·The Images of Nature:Female Evil Omen | 第36-41页 |
| ·The Weather:Strange and Variable | 第37-39页 |
| ·The Moors:Seductive and Treacherous | 第39-41页 |
| ·The Images of Ghostly Dreams:Human Inward Fear | 第41-46页 |
| ·Joss Merlyn's Nightmare:Horrible and Guilty | 第41-43页 |
| ·Mary Yellan's Nightmare:Nervous and Anxious | 第43-46页 |
| Chapter Three The Interpretation of the Female Gothic Features of Characters inJamaica Inn | 第46-66页 |
| ·Typical Female Characters | 第46-51页 |
| ·Aunt Patience:Obedient and Dependent Victim | 第47-49页 |
| ·Mary Yellan:Resistant and Independent Heroine | 第49-51页 |
| ·Typical Male Characters | 第51-60页 |
| ·Joss Merlyn and Francis Davey:the Female Gothic Villains | 第52-57页 |
| ·Joss Merlyn:Cruel but Weak | 第52-54页 |
| ·Francis Davey:Gentle but Bloodthirsty | 第54-57页 |
| ·Jem Merlyn:the Feminized Female Gothic Hero | 第57-60页 |
| ·Female Character's "Passive-Aggressive" Methods against Male Characters | 第60-66页 |
| ·Obeying Villains and Escaping Temporarily:Passive Defense | 第61-63页 |
| ·Protecting Aunt and Finding the Truth:Aggressive Resistance | 第63-66页 |
| Conclusion | 第66-70页 |
| Notes | 第70-74页 |
| Bibliography | 第74-77页 |
| 攻读硕士学位期间发表的学术论文 | 第77-79页 |
| Acknowledgements | 第79页 |
