| Acknowledgements | 第1-4页 |
| English Abstract | 第4-6页 |
| 中文摘要 | 第6-23页 |
| Chapter One Introduction | 第23-26页 |
| ·Literature Review | 第23页 |
| ·AssumptiOns | 第23-24页 |
| ·Methodologies | 第24-25页 |
| ·Significance | 第25-26页 |
| Chapter Two Pope in the Context of Neoclassicism | 第26-38页 |
| ·The InflHence of Classicism on Pope | 第26-29页 |
| ·The Three Aspects of Classicism | 第29-33页 |
| ·Advocating the Authority of King | 第29-32页 |
| ·Advocating Rationality | 第32页 |
| ·Imitating the Ancient | 第32-33页 |
| ·Pope as a Christian | 第33-38页 |
| Chapter Three Pope as a Classical Poet | 第38-60页 |
| ·The Content of Pope's Poems | 第38-47页 |
| ·The Relationship between Pope's Poetry and Classical Literature | 第38-40页 |
| ·"Rationality" in Pope's Poetry and Classical Literature | 第40-47页 |
| ·Physical Features of Pope's Poems | 第47-60页 |
| ·The Creativity,Heroic Couplet and Pope's Genre | 第47-52页 |
| ·The Imaginativeness, Wit and Humor in Pope's Poems | 第52-60页 |
| Chapter Four Pope: A Successful Practitioner of Combination of Sense and Sensibility | 第60-75页 |
| ·Unified Sense and Sensibility in Pope's Poetry | 第60-61页 |
| ·The Kinship between Pope and Wordsworth, a Hint of His Romantic Sense | 第61-66页 |
| ·Pope's Autumn vs. Keats's To Autumn | 第66-71页 |
| ·The Emotional Pope in Elosia's "Tears" | 第71-75页 |
| Chapter Five Conclusion | 第75-77页 |
| Bibliography | 第77-79页 |
| 原创性声明 | 第79页 |
| 关于学位论文使用授权的声明 | 第79页 |
