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《霍华德庄园》的叙事聚焦分析

摘要第7-9页
Abstract第9-10页
Introduction第11-21页
    0.1 A Brief Introduction to Edward Morgan Forster and Howards End第11-14页
    0.2 Literature Review第14-18页
    0.3 Thesis Statement第18-21页
Chapter One Theoretical Foundation第21-29页
    1.1 The Origin and Development of Narratology第21-23页
    1.2 Gérard Genette's Narrative Focalization Theory第23-26页
    1.3 The Development of Narrative Focalization Theory第26-29页
Chapter Two Zero Focalization in Howards End第29-37页
    2.1 Zero Focalization第29-33页
        2.1.1 Free Switch of the God's Perspective第29-31页
        2.1.2 Arbitrary Insertion of Narrator's Comments第31-33页
    2.2 Effects of Zero Focalization第33-37页
        2.2.1 Natural Expression of Author's Writing Intention第33-35页
        2.2.2 Creation of Suspense第35-37页
Chapter Three Internal Focalization in Howards End第37-55页
    3.1 Variable Internal Focalization第37-45页
        3.1.1 The Internal Focalization of Ruth Wilcox第37-40页
        3.1.2 The Internal Focalization of Margaret Schlegel第40-42页
        3.1.3 The Internal Focalization of Helen Schlegel第42-45页
    3.2 Effects of Internal Focalization第45-55页
        3.2.1 Depicting Distinctive Characters第45-50页
        3.2.2 Deepening the Theme第50-55页
Chapter Four External Focalization in Howards End第55-65页
    4.1 External Focalization第55-60页
        4.1.1 The Wych-Elm Tree第55-57页
        4.1.2 The Country House Howards End第57-59页
        4.1.3 The Wilcoxes' Motor Cars第59-60页
    4.2 Effects of External Focalization第60-65页
        4.2.1 Presenting an Unstable Social Environment第60-62页
        4.2.2 Pondering over the Significance of Humanistic Thought第62-65页
Conclusion第65-68页
Bibliography第68-71页
攻读硕士学位期间所发表的学术论文第71-73页
Acknowledgments第73页

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