ACKNOWLEDGEMENTS | 第5-6页 |
ABSTRACT | 第6-7页 |
摘要 | 第8-11页 |
Chapter One INTRODUCTION | 第11-21页 |
1.1 Sherwood Anderson and Winesburg, Ohio | 第11-15页 |
1.1.1 Life of Sherwood Anderson | 第11-13页 |
1.1.2 Anderson’s Winesburg, Ohio and other works | 第13-15页 |
1.2 Development and Categories of Trauma Theory | 第15-21页 |
1.2.1 Development of trauma theory | 第15-18页 |
1.2.2 Categories of trauma | 第18-21页 |
Chapter Two LITERATURE REVIEW | 第21-26页 |
2.1 Studies at home | 第21-23页 |
2.2 Studies abroad | 第23-24页 |
2.3 Structure and significance of the thesis | 第24-26页 |
Chapter Three INDUSTRY TRAUMA IN “QUEER” AND GODLINESS | 第26-36页 |
3.1 Symptoms and Causes of Industry Trauma | 第27-34页 |
3.1.1 Alienation and communication barrier of Elmer in “Queer” | 第27-30页 |
3.1.2 Hysteria and alienation of Jesse Bentley in Godliness | 第30-34页 |
3.2 Recovery from Industry Trauma | 第34-36页 |
Chapter Four FAMILY TRAUMA IN THE MOTHER, GODLINESS AND THE THINKER | 第36-47页 |
4.1 Symptoms and Causes of Family Trauma | 第36-45页 |
4.1.1 Communication barrier of Elizabeth in The Mother | 第36-39页 |
4.1.2 Hysteria and misandria of Louise Bentley and repetition compulsion of David Hardy in Godliness | 第39-43页 |
4.1.3 Communication barrier of Seth Richmond in The Thinker | 第43-45页 |
4.2 Recovery from Family Trauma | 第45-47页 |
Chapter Five INDIVIDUAL TRAUMA IN HANDS, PAPER PILLS AND ADVENTURE | 第47-54页 |
5.1 Symptoms and Causes of Individual Trauma | 第47-52页 |
5.1.1 Repression of Wing Biddlebaum in Hands | 第47-49页 |
5.1.2 Communication barrier of Doctor Reefy in Paper Pills | 第49-50页 |
5.1.3 Repression and dissociation of Alice Hindman in Adventure | 第50-52页 |
5.2 Recovery from Individual Trauma | 第52-54页 |
Chapter Six ALLEGORY MEANING OF WINESBURG, OHIO | 第54-61页 |
6.1 Traumas of Sherwood Anderson | 第54-57页 |
6.2 An Epitome of America in the 1870s | 第57-59页 |
6.3 Enlightenments to Our Current Society | 第59-61页 |
Chapter Seven CONCLUSION | 第61-63页 |
WORKS CITED | 第63-64页 |