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寓言中的异化与孤独--《小镇畸人》的创伤理论视角解读

ACKNOWLEDGEMENTS第5-6页
ABSTRACT第6-7页
摘要第8-11页
Chapter One INTRODUCTION第11-21页
    1.1 Sherwood Anderson and Winesburg, Ohio第11-15页
        1.1.1 Life of Sherwood Anderson第11-13页
        1.1.2 Anderson’s Winesburg, Ohio and other works第13-15页
    1.2 Development and Categories of Trauma Theory第15-21页
        1.2.1 Development of trauma theory第15-18页
        1.2.2 Categories of trauma第18-21页
Chapter Two LITERATURE REVIEW第21-26页
    2.1 Studies at home第21-23页
    2.2 Studies abroad第23-24页
    2.3 Structure and significance of the thesis第24-26页
Chapter Three INDUSTRY TRAUMA IN “QUEER” AND GODLINESS第26-36页
    3.1 Symptoms and Causes of Industry Trauma第27-34页
        3.1.1 Alienation and communication barrier of Elmer in “Queer”第27-30页
        3.1.2 Hysteria and alienation of Jesse Bentley in Godliness第30-34页
    3.2 Recovery from Industry Trauma第34-36页
Chapter Four FAMILY TRAUMA IN THE MOTHER, GODLINESS AND THE THINKER第36-47页
    4.1 Symptoms and Causes of Family Trauma第36-45页
        4.1.1 Communication barrier of Elizabeth in The Mother第36-39页
        4.1.2 Hysteria and misandria of Louise Bentley and repetition compulsion of David Hardy in Godliness第39-43页
        4.1.3 Communication barrier of Seth Richmond in The Thinker第43-45页
    4.2 Recovery from Family Trauma第45-47页
Chapter Five INDIVIDUAL TRAUMA IN HANDS, PAPER PILLS AND ADVENTURE第47-54页
    5.1 Symptoms and Causes of Individual Trauma第47-52页
        5.1.1 Repression of Wing Biddlebaum in Hands第47-49页
        5.1.2 Communication barrier of Doctor Reefy in Paper Pills第49-50页
        5.1.3 Repression and dissociation of Alice Hindman in Adventure第50-52页
    5.2 Recovery from Individual Trauma第52-54页
Chapter Six ALLEGORY MEANING OF WINESBURG, OHIO第54-61页
    6.1 Traumas of Sherwood Anderson第54-57页
    6.2 An Epitome of America in the 1870s第57-59页
    6.3 Enlightenments to Our Current Society第59-61页
Chapter Seven CONCLUSION第61-63页
WORKS CITED第63-64页

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