| ACKNOWLEDGEMENTS | 第5-6页 |
| ABSTRACT | 第6-7页 |
| 摘要 | 第8-12页 |
| CHAPTER ONE INTRODUCTION | 第12-22页 |
| 1.1 V.S. Naipaul and The Enigma of Arrival | 第12-13页 |
| 1.2 Literature Review | 第13-16页 |
| 1.3 Significance of the Research and Theoretical Framework | 第16-22页 |
| CHAPTER TWO REVISTING PICTURESQUE “TROPICAL GARDEN” ANDSUBJECTIVITY AWAKENED | 第22-34页 |
| 2.1 Migration, Tourist Gaze and Identity | 第22-25页 |
| 2.2 Picturesque Beauty and Tropical Sublime | 第25-28页 |
| 2.3 Imperial Picturesque Eyes and “My” Private Landscape | 第28-32页 |
| 2.4 Conclusion | 第32-34页 |
| CHAPTER THREEDEMYSTIFYING “FLAWLESS” ENGLISH GARDEN ANDTOWARD HYBRIDITY | 第34-46页 |
| 3.1 Tourist Gaze and Second Dislocation in London | 第34-38页 |
| 3.2 Estate’s Garden and Dissolving the Mythology of Englishness | 第38-42页 |
| 3.3 Jack’s Garden and Toward Hybridity | 第42-44页 |
| 3.4 Conclusion | 第44-46页 |
| CHAPTER FOUR GAZE, TRANSCENDENCE AND REFLECTIONS UPONSELF-EXPATRIATION | 第46-56页 |
| 4.1 Ashamed of Ethnic Identity and Crisis of Subjectivity | 第46-49页 |
| 4.2 Gaze and Being-For-Others | 第49-51页 |
| 4.3 Transcendence of the Self and Negating the Gaze | 第51-54页 |
| 4.4 Conclusion | 第54-56页 |
| CHAPTER FIVE CONCLUSION | 第56-60页 |
| WORKS CITED | 第60-64页 |
