| Acknowledgements | 第6-8页 |
| 摘要 | 第8-10页 |
| Abstract | 第10-11页 |
| Abbreviations | 第12-14页 |
| Introduction | 第14-51页 |
| 1. Maxine Hong Kingston’s Literary Achievements | 第15-20页 |
| 2. Critical Reviews of Kingston Studies | 第20-40页 |
| 3. Theoretical Framework and Research Methods | 第40-49页 |
| 4. Organizations of the Dissertation | 第49-51页 |
| Chapter One Literary Commensalism Through Rewriting in The Woman Warrior | 第51-64页 |
| 1.1 Fa Mu Lan as Anti-Traditional Female | 第52-61页 |
| 1.2 Ts’ai Yen as Voiced Female | 第61-63页 |
| 1.3 Facing the Identity Perplexity of an Individual Being | 第63-64页 |
| Chapter Two Literary Mutualism Through Intertextuality in China Men | 第64-74页 |
| 2.1 Kwan Kung Image as Protector of Chinese Culture | 第64-67页 |
| 2.2 Robinson Crusoe Image as Contributor to America | 第67-72页 |
| 2.3 Claiming America for Chinese Americans of a Collective Being | 第72-74页 |
| Chapter Three Literary Parasitism Through Parody in Tripmaster Monkey | 第74-88页 |
| 3.1 Americanized Monkey: Parodying Monkey King | 第75-79页 |
| 3.2 Chinese Beatnik: Parodying“Beat Generation” | 第79-83页 |
| 3.3 Modern Bloom: Parodying Leopold Bloom | 第83-88页 |
| Conclusion | 第88-92页 |
| Bibliography | 第92-101页 |
| Appendixes (1-6) | 第101-121页 |
