Acknowledgements | 第4-5页 |
摘要 | 第5-6页 |
Abstract | 第6-7页 |
Introduction | 第9-18页 |
0.1 John Fowles and A Maggot | 第9-11页 |
0.2 Literature Review | 第11-13页 |
0.3 Polyphony and Dialogical Spirit | 第13-16页 |
0.4 Structure of This Thesis | 第16-18页 |
Chapter One Carnivalization and Subversiveness of Characters | 第18-30页 |
1.1 Bartholomew:The Spokesman of Self-decrowning | 第19-23页 |
1.1.1 Evading the Control of Father | 第19-21页 |
1.1.2 Crossing the Boundary of Heterosexuality | 第21-23页 |
1.2 Rebecca:The Rebel of Hierarchy | 第23-30页 |
1.2.1 Challenging Male Authority | 第24-27页 |
1.2.2 Threatening Orthodox Religion | 第27-30页 |
Chapter Two Hybridity and Heteroglossia of Literary Types | 第30-40页 |
2.1 Hybrid Genres:Degradation of High Literature | 第31-35页 |
2.1.1 Testimonies:Deconstructing Rationalism in Detective Fictions | 第31-33页 |
2.1.2 Epistles:Satirizing Moralization in Epistolary Novels | 第33-35页 |
2.2 Mixed Languages:Confrontation of Different Ideas | 第35-40页 |
2.2.1 Official Languages:Ayscough's Perseverance in Hierarchy | 第36-37页 |
2.2.2 Social Dialects:Jones's Blasphemy on Divinity | 第37-40页 |
Chapter Three Polyphony and Pluralism of Time-space | 第40-49页 |
3.1 Synchronic Discourse:Disrupting of Absolute Truth | 第41-45页 |
3.1.1 Repeated Narration:Construction of Characters' Voices | 第41-43页 |
3.1.2 Open Ending:Room for Readers' Understanding | 第43-45页 |
3.2 Bordering Area:Averting from Hierarchical Barriers | 第45-49页 |
3.2.1 Maggot-shaped Cavern | 第46-47页 |
3.2.2 Peripheral Town of C- | 第47-49页 |
Conclusion | 第49-51页 |
Works Cited | 第51-54页 |