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自由与平等的对话—《幻想》的复调特征

Acknowledgements第4-5页
摘要第5-6页
Abstract第6-7页
Introduction第9-18页
    0.1 John Fowles and A Maggot第9-11页
    0.2 Literature Review第11-13页
    0.3 Polyphony and Dialogical Spirit第13-16页
    0.4 Structure of This Thesis第16-18页
Chapter One Carnivalization and Subversiveness of Characters第18-30页
    1.1 Bartholomew:The Spokesman of Self-decrowning第19-23页
        1.1.1 Evading the Control of Father第19-21页
        1.1.2 Crossing the Boundary of Heterosexuality第21-23页
    1.2 Rebecca:The Rebel of Hierarchy第23-30页
        1.2.1 Challenging Male Authority第24-27页
        1.2.2 Threatening Orthodox Religion第27-30页
Chapter Two Hybridity and Heteroglossia of Literary Types第30-40页
    2.1 Hybrid Genres:Degradation of High Literature第31-35页
        2.1.1 Testimonies:Deconstructing Rationalism in Detective Fictions第31-33页
        2.1.2 Epistles:Satirizing Moralization in Epistolary Novels第33-35页
    2.2 Mixed Languages:Confrontation of Different Ideas第35-40页
        2.2.1 Official Languages:Ayscough's Perseverance in Hierarchy第36-37页
        2.2.2 Social Dialects:Jones's Blasphemy on Divinity第37-40页
Chapter Three Polyphony and Pluralism of Time-space第40-49页
    3.1 Synchronic Discourse:Disrupting of Absolute Truth第41-45页
        3.1.1 Repeated Narration:Construction of Characters' Voices第41-43页
        3.1.2 Open Ending:Room for Readers' Understanding第43-45页
    3.2 Bordering Area:Averting from Hierarchical Barriers第45-49页
        3.2.1 Maggot-shaped Cavern第46-47页
        3.2.2 Peripheral Town of C-第47-49页
Conclusion第49-51页
Works Cited第51-54页

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