| ACKNOWLEDGEMENTS | 第1-10页 |
| ABSTRACT | 第10-11页 |
| 摘要 | 第11-14页 |
| CHAPTEⅠ.INTRODUCTION | 第14-19页 |
| ·Toni Morrison and her Works | 第14-15页 |
| ·The Novel Beloved | 第15-16页 |
| ·The Significance of this Research of Beloved | 第16-17页 |
| ·The Structure of this Thesis | 第17-19页 |
| CHAPTER Ⅱ. LITTERATURE REVIEW OF BELOVED | 第19-28页 |
| ·Research Abroad | 第19-25页 |
| ·Research at Home | 第25-28页 |
| CHAPTER Ⅲ .THEORETICAL APPROACH--- LACAN’S MIRROR STAGE THEORY | 第28-37页 |
| ·The Imaginary--- the Order of Self-formation | 第30-32页 |
| ·The Symbolic Order----a World Regulated by Father | 第32-35页 |
| ·The Real Order---a World Impossible to Reach | 第35页 |
| ·The self-seeking in the Mirror | 第35-37页 |
| CHPTER Ⅳ .THE TRAPPING OF BLACK CHARACTERS IN THE MIRROR STAGE | 第37-47页 |
| ·The Blurring of Self- image | 第38-40页 |
| ·The Uncoordinated Movement | 第40-43页 |
| ·Inability of Recognition of Other | 第43-47页 |
| CHAPTER Ⅴ.THE RECOGNITION OF BLACK CHARACTERS IN THE MIRROR STAGE | 第47-58页 |
| ·Recognition of Self-image through the Mirror of White Society | 第47-50页 |
| ·Recognition of Self-image through the Mirror of Black Community | 第50-53页 |
| ·Recognition of Self-image through the Mirror of Family Members | 第53-58页 |
| CHAPTER Ⅵ.GOING THROUG THE MIRROR STAGE | 第58-67页 |
| ·The Reconstruction of Self-image within the Family | 第58-61页 |
| ·The Reconstruction of Self-image through the Community | 第61-67页 |
| CONCLUSION | 第67-71页 |
| WORKS CITED | 第71-74页 |
