| Acknowledgements | 第1-7页 |
| Abstract | 第7-9页 |
| 摘要 | 第9-10页 |
| Contents | 第10-11页 |
| Introduction | 第11-12页 |
| CHAPTER ONE A BRIEF INTRODUCTION TO THE PLAYWRIGHT | 第12-23页 |
| ·Reviews on the Contemporary Chinese American Plays | 第12-18页 |
| ·Reviews on David Henry Hwang | 第18-21页 |
| ·Research and Studies on David Henry Hwang in Chinese Mainland | 第21-23页 |
| CHAPTER TWO THE CHINESENESS OF CHINESE AMERICANDIASPORA | 第23-36页 |
| ·Diaspora and Chinese American Diaspora in Modern Cultural Studies | 第24-29页 |
| ·The Reconstruction of Chinese American Chineseness by David Henry Hwang | 第29-36页 |
| CHAPTER THREE THE BELLIGERENCE AND INDIVIDUALISM OFCHINESENESS IN M. BUTTERFLY | 第36-50页 |
| ·Antithesis of Plots between Madame Butterfly and M. Butterfly | 第37-42页 |
| ·Antithesis of Heroes between Madame Butterfly and M. Butterfly | 第42-45页 |
| ·Antithesis of Symbols in M. Butterfly | 第45-50页 |
| CHAPTER FOUR THE DUAL AMBIGUITY AND REPOSITION OFCHINESENESS IN GOLDEN CHILD | 第50-62页 |
| ·Ancient Chinese Ideology Based on Confucian Regulation | 第52-56页 |
| ·The Dual Ambiguity of Chineseness in Christian Doctrines and Confucian Regulations | 第56-62页 |
| CHAPTER FIVE THE MOBILITY OF CHINESENESS IN TRYING TOFIND THE CHINATOWN | 第62-70页 |
| ·The Implied Chineseness of Chinatown | 第63-66页 |
| ·The Mobility of Chineseness of Benjamin and Ronnie | 第66-70页 |
| Conclusion | 第70-72页 |
| Bibliography | 第72-77页 |
| Appendix | 第77-78页 |
