| Acknowledgements | 第4-5页 |
| Abstract | 第5-6页 |
| 摘要 | 第7-10页 |
| Introduction | 第10-20页 |
| 0.1 Toni Morrison and Her Trilogy | 第10-12页 |
| 0.2 Literature Review | 第12-17页 |
| 0.3 The Framework of the Thesis | 第17-20页 |
| Chapter One Black History and Black Identity | 第20-32页 |
| 1.1 Past Matters in the Present | 第21-26页 |
| 1.2 Black Americans’ Dual Identity | 第26-32页 |
| Chapter Two Rememorying the History in Beloved | 第32-56页 |
| 2.1 Invisible Black History | 第33-35页 |
| 2.2 Unspeakable and Unspoken Story of No.124 | 第35-40页 |
| 2.3 Nightmare of Sweet Home | 第40-44页 |
| 2.4 Disremembered Black Mothers and Mother Tongue | 第44-49页 |
| 2.5 Searches for Beloved and the Temporary Cure | 第49-56页 |
| Chapter Three Telling the History in Jazz | 第56-76页 |
| 3.1 Story of the Legendary City | 第57-61页 |
| 3.2 Story of Love and Death | 第61-70页 |
| 3.3 Delayed Story of Golden Gray | 第70-72页 |
| 3.4 Telling Their Stories in the Analogy of Jazz | 第72-76页 |
| Chapter Four Creating Ideal History in Paradise | 第76-96页 |
| 4.1 History of the New All-Black Haven | 第77-81页 |
| 4.2 History and Memories of the Old Haven | 第81-87页 |
| 4.3 History of Convent | 第87-89页 |
| 4.4 Re-Making Her Body and Re-Mapping the Paradise | 第89-96页 |
| Conclusion | 第96-98页 |
| Bibliography | 第98-102页 |
