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论唐·德里罗小说《大都会》中的异化问题

摘要第3-4页
Abstract第4-5页
Acknowledgements第6-9页
Introduction第9-22页
    0.1 Don De Lillo and his Works第9-10页
    0.2 Cosmopolis and its Criticism第10-11页
    0.3 Literature Review第11-13页
    0.4 Theoretical Background第13-19页
    0.5 Structure of the Thesis第19-22页
Chapter one Fetishism, Simulacra and False Representation第22-37页
    1.1 Spectacle Fetishism in a Religious Sense第23-26页
        1.1.1 Cult for Architecture第23-24页
        1.1.2 Cult for Commodities第24-26页
    1.2 Simulacra and False Representation第26-32页
        1.2.1 Confusion Derived from Hyper-reality第27-29页
        1.2.2 Fascination with Mediated Reality第29-30页
        1.2.3 Negation of Life in False Representation第30-32页
    1.3 Cyber-capital, Sign Fetishism and Loss of Self第32-37页
        1.3.1 Soulful Data第32-33页
        1.3.2 Failed Attempt of Immortality第33-34页
        1.3.3 Pathetic Man Lost in the System of Signs第34-37页
Chapter Two Social Aberrances and Alienated Relations第37-57页
    2.1 Social Aberrances第38-46页
        2.1.1 Imminent Death and Pastry Assassin第38-41页
        2.1.2 Anarchist Protest in Double Sense第41-44页
        2.1.3 Suburb Violence第44-46页
    2.2 Alienated Relations第46-57页
        2.2.1 Machine-like Workers第47-50页
        2.2.2 Surplus Time and Exploitation第50-54页
        2.2.3 Sexual Reification第54-57页
Chapter Three Recognition, Repression and Schizophrenia第57-76页
    3.1 Alienation due to Inadequate Recognition第58-62页
        3.1.1 Untouchability and Self-estrangement第58-60页
        3.1.2 Unsolvable Master-Slave Dialectics第60-62页
    3.2 Repression, Discontents and Hostility第62-67页
        3.2.1 Repression and Pain第63-65页
        3.2.2 Pleasure in Viewing Other’s Death第65-67页
    3.3 Fragmented Self and Schizophrenia第67-76页
        3.3.1 Asymmetry and Incomplete Self第68-70页
        3.3.2 Fear for Engulfment and Petrification第70-73页
        3.3.3 Hallucinations and Mind Speeches第73-76页
Conclusion第76-79页
Works Cited第79-83页

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