| 摘要 | 第1-5页 |
| Abstract | 第5-7页 |
| Introduction | 第7-13页 |
| Chapter One Analysis of Barth’s Postmodern Writing Techniques | 第13-32页 |
| ·Nonlinear development--Mobius Strip | 第14-17页 |
| ·What is Mobius Strip？ | 第14页 |
| ·Barth’s New Attempt to Innovate Novel Writing | 第14-17页 |
| ·Indeterminacies—“Night-Sea Journey” | 第17-23页 |
| ·Mock-hero---A Sperm | 第17-18页 |
| ·Indeterminacy of the person who is talking and whom he is talking to | 第18-20页 |
| ·Indeterminacy of the “heritage” | 第20-22页 |
| ·Indeterminacy of the motivation | 第22-23页 |
| ·Mythical character Echo—Fiction of Ultimacy | 第23-28页 |
| ·Self-conscious or referential fiction | 第23-25页 |
| ·Echo’s loss of “Voice” | 第25-28页 |
| ·“Menelaiad”—A New Trial of Literary Replenishment | 第28-32页 |
| Chapter Two Reasons for His Innovative Writing | 第32-39页 |
| ·Historical Context | 第33-35页 |
| ·Anxiety of Writing | 第35-39页 |
| ·Analysis of The Literature of Exhaustion | 第35-36页 |
| ·Exhaustion of Narrative Possibilities | 第36-37页 |
| ·The Literature of Replenishment--Postmodernist Fiction | 第37-39页 |
| Chapter Three Postmodernist Themes in Lost in the Funhouse | 第39-50页 |
| ·Nature of Fiction | 第39-43页 |
| ·Inheritance from Modernism | 第43-47页 |
| ·Absurdity of the World | 第47-50页 |
| Conclusion | 第50-53页 |
| Works Cited | 第53页 |
