| Acknowledgements | 第1-5页 |
| Chinese Abstract | 第5-11页 |
| Introduction | 第11-19页 |
| Chapter One Gothic Mode and Reality | 第19-43页 |
| Ⅰ． Theoretical foundation of Gothic Mode | 第20-25页 |
| Ⅱ． Release of Suppressed Memory | 第25-31页 |
| Ⅲ． Confrontation with the Dominant Discourse | 第31-39页 |
| Ⅳ． Reflection on Slavery and Freedom | 第39-43页 |
| Chapter Two Fragmentation and Wholeness | 第43-64页 |
| Ⅰ． The Social and Psychological Foundation of the Fragmented Narrative | 第44-48页 |
| Ⅱ． The Concept of Rememory | 第48-49页 |
| Ⅲ． Disunity and Unity in the Community | 第49-51页 |
| Ⅳ． The Narrative Techniques in the Fragmentation | 第51-64页 |
| Chapter Three The Past and the Present | 第64-84页 |
| Ⅰ． Oral Tradition in Afro-American Culture | 第65-68页 |
| Ⅱ． The Need for Storytelling | 第68-72页 |
| Ⅲ． Interaction between Past and Present in Generational Storytelling | 第72-84页 |
| Conclusion | 第84-88页 |
| Bibliography | 第88-91页 |
