| Acknowledgements | 第4-6页 |
| Abstract | 第6-7页 |
| 内容摘要 | 第8-10页 |
| Introduction | 第10-21页 |
| A. Introduction of Four Famous Hamlet Film Directors | 第11-15页 |
| B. Introduction of Hamlet (1996) and the Performance of Branagh | 第15-17页 |
| C. Introduction of Aestheticization of Violence | 第17-21页 |
| Chapter One Emotional Violence and Abuse in the Performance of Hamlet | 第21-34页 |
| A. Actions as Psychic Injury | 第22-27页 |
| B. Emotional Violence Behind Action | 第27-34页 |
| Chapter Two Aestheticization of Violence Applied | 第34-44页 |
| A. Visual Effect of the Aestheticization of Violence Reflected in the Film | 第34-38页 |
| B. Musical Effect of the Aestheticization of Violence Reflected in the Film | 第38-40页 |
| C. Montage as the Cinematic Approach Applied in the Film | 第40-44页 |
| Chapter Three Audience’s Response towards Aestheticization of Violence | 第44-55页 |
| A. The Legitimization and the Ritualization of Hamlet’s(1996) Violence | 第44-48页 |
| B. Audience’s Response towards Hamlet (1996) | 第48-50页 |
| C. The Value of Aestheticization of Violence | 第50-55页 |
| Conclusion | 第55-57页 |
| Bibliography | 第57-60页 |
