| ACKNOWLEDGEMENTS | 第1-8页 |
| Abstract in English | 第8-10页 |
| Abstract in Chinese | 第10-11页 |
| Chapter One Introduction | 第11-21页 |
| ·Film Introduction | 第11-13页 |
| ·Methodology and Related Theories | 第13-19页 |
| ·Research Questions and Structure | 第19-21页 |
| Chapter Two The Mythologized Mulan | 第21-32页 |
| ·Reading Mulan as a Myth | 第22-24页 |
| ·Becoming the "Other" | 第24-26页 |
| ·Scanning the "Other" | 第26-32页 |
| Chapter Three The Appropriated Pocahontas | 第32-42页 |
| ·Nietzsch's History Perspective | 第32-34页 |
| ·From Written to Cinematic: An Appropriated Pocahontas | 第34-38页 |
| ·The Theme Song : An Appropriated Voice | 第38-42页 |
| Chapter Four The Ideologized Otherness | 第42-53页 |
| ·The Dominant Ideology in American Culture | 第43-45页 |
| ·Nationalism - Orientalization - Americanization: The Ideologized Mulan | 第45-47页 |
| ·American Ideology Constructed in Pocahontas | 第47-53页 |
| Chapter Five Conclusion | 第53-55页 |
| Bibliography | 第55-58页 |
