| 摘要 | 第4-5页 |
| Abstract | 第5-6页 |
| Chapter One Introduction | 第8-13页 |
| 1.1 Research Background | 第8-11页 |
| 1.2 Research Significance | 第11页 |
| 1.3 Overall Structure of the Thesis | 第11-13页 |
| Chapter Two Literature Review | 第13-17页 |
| 2.1 Mapping Theory | 第13-15页 |
| 2.2 Studies on Li Bai's poems | 第15-17页 |
| Chapter Three Projection Mappings in Realization of Artistic Conception in Libai's Poems | 第17-31页 |
| 3.1 Conventional Metaphors in Realization of Artistic Conception | 第19-26页 |
| 3.2 Creative Metaphors in Realization of Artistic Conception | 第26-31页 |
| Chapter Four Pragmatic function mappings in Realization of Artistic conception in Libai's Poems | 第31-40页 |
| 4.1 Metonymic mappings in Realization of Artistic conception | 第32-37页 |
| 4.2 Synecdoche in Realization of Artistic Conception | 第37-40页 |
| Chapter Five Schema Mappings in Realization of Artistic Conception in Libai's Poems | 第40-49页 |
| 5.1 Schema mapping and Typical Schemas in Classical Chinese Poetry | 第41-42页 |
| 5.2 Schematic mappings in Li Bai's poems | 第42-49页 |
| Chapter Six Conclusion | 第49-51页 |
| Acknowledgements | 第51-52页 |
| Bibliography | 第52-55页 |
| 攻读硕士学位论文期间科研成果 | 第55页 |
