| 摘要 | 第4-6页 |
| Abstract | 第6-7页 |
| Introduction | 第10-14页 |
| Chapter 1 Forster's Pattern and Rhythm Theory | 第14-20页 |
| Chapter2 Exterior Pattern with Overall Beauty | 第20-30页 |
| 2.1 Pattern of A Room with a View | 第20-25页 |
| 2.1.1 Hour-Glass Pattern Generated by the Protagonists and Main Plots | 第20-24页 |
| 2.1.2 Hour-Glass Pattern Generated by the Minor Characters and Sub-Plots | 第24-25页 |
| 2.2 Music Pattern in Howards End | 第25-30页 |
| 2.2.1 Sonata Form Used in the First Movement of Howards End | 第27-28页 |
| 2.2.2 Other Three Movements in Sonata Construction | 第28-30页 |
| Chapter 3 Interior Rhythm with Internal Order | 第30-53页 |
| 3.1 Rhythm in A Room with a View | 第30-40页 |
| 3.1.1 Repetition of Kissing Scenes | 第30-33页 |
| 3.1.2 Repetition of Charlotte's Tone and Gestures | 第33-35页 |
| 3.1.3 Repetition of Lucy's Leitmotif of Music | 第35-40页 |
| 3.2 Rhythm in Howards End | 第40-48页 |
| 3.2.1 Repetition of Howards End as House Image | 第40-44页 |
| 3.2.2 Repetition of Car Image | 第44-45页 |
| 3.2.3 Repetition of Some Phrases | 第45-48页 |
| 3.3 Linking Rhythm | 第48-53页 |
| 3.3.1 Repetition of Similar Character Types | 第49-50页 |
| 3.3.2 Repetition of Important Symbols in Forster's Different Novels | 第50-53页 |
| Conclusion | 第53-56页 |
| Acknowledgements | 第56-57页 |
| Bibliography | 第57-59页 |
| 作者攻硕期间取得的研究成果 | 第59页 |
