摘要 | 第5-7页 |
Abstract | 第7-9页 |
Introduction | 第12-27页 |
0.1 Motivation and Significance of the Project | 第12-14页 |
0.2 Toni Morrison and The Bluest Eye | 第14-18页 |
0.3 Literary Criticism on Black Cultural Identity in The Bluest Eye | 第18-27页 |
Chapter One Constructing Reasonable Black Cultural Identity | 第27-45页 |
1.1 Pecola's Unreasonable Yearning for Blue Eyes | 第27-37页 |
1.1.1 The Erosive Influence of White Beauty Standard | 第28-33页 |
1.1.2 Loss of Reasonable Aesthetics Value | 第33-37页 |
1.2 Mr. and Mrs. MacTeer's Resorting to Black Cultural Identity | 第37-45页 |
1.2.1 Resorting to Black Family and Community Responsibility | 第38-41页 |
1.2.2 Bearing the Black Culture and Tradition | 第41-45页 |
Chapter Two Constructing Healthy Black Cultural Identity | 第45-60页 |
2.1 The Breedloves'Loss of Healthy Black Cultural Identity | 第45-55页 |
2.1.1 Pauline's Split Personality under the Impact of Dominant White Culture | 第46-50页 |
2.1.2 Cholly's Abandonment of Self-identity and Distorted Way to Express Love | 第50-55页 |
2.2 The Three Whores' Attachment to Black Identity | 第55-60页 |
Chapter Three Constructing Independent Black Cultural Identity | 第60-77页 |
3.1 Loss of Black Independent Self-identity—Geraldine and Church | 第60-67页 |
3.2 Claudia:A Fighter to White Standard | 第67-77页 |
3.2.1 Claudia's Independent Aesthetics Value | 第67-72页 |
3.2.2 Claudia's Love for Black Music-Blues | 第72-77页 |
Conclusion | 第77-80页 |
Notes | 第80-83页 |
Bibliography | 第83-88页 |
Acknowledgements | 第88-89页 |
攻读学位期间主要研究成果 | 第89-90页 |
中文详细摘要 | 第90-98页 |