| Acknowledgements | 第4-5页 |
| 摘要 | 第5-7页 |
| Abstract | 第7-8页 |
| Chapter 1.Introduction | 第10-17页 |
| 1.1 Research Overview | 第10-13页 |
| 1.2 Research Question | 第13页 |
| 1.3 Methodology and Structure | 第13-14页 |
| 1.4 Literature Review | 第14-17页 |
| Chapter 2.Representation of Irish Civil War | 第17-26页 |
| 2.1 Relationship Between Film and History | 第17-18页 |
| 2.2 Fermenting Irish Civil War Discourse | 第18-23页 |
| 2.2.1 Creating an Irish Identity Cultural Nationalism | 第18-20页 |
| 2.2.2 Celebration of National Sacrifice | 第20-21页 |
| 2.2.3 Demystification--Revisionism in Culture and History Studies | 第21-23页 |
| 2.3 Cinematic Representation of Irish Civil War | 第23-26页 |
| Chapter 3.Civil War in Korea(1995) | 第26-34页 |
| 3.1 Demystified Image of IRA—Trapped in Civil War Trauma | 第27-29页 |
| 3.2 From Disruption to Tentative Reconciliation of the Past | 第29-34页 |
| Chapter 4.Civil War in Michael Collins(1996) | 第34-42页 |
| 4.1 A War for Nothing? | 第35-37页 |
| 4.2 Expectation Rather Than Historical Truth | 第37-42页 |
| Chapter 5.Civil War in The Wind That Shakes the Barley(2006) | 第42-48页 |
| 5.1 Struggle of the Underprivileged in the Civil War | 第43-46页 |
| 5.2 Image of Independent Women and Mocking of the Church | 第46-48页 |
| Chapter 6.Conclusion | 第48-51页 |
| Works Cited | 第51-54页 |
