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凯茜·埃克朋克小说《远大前程》的语言游戏分析

Abstract第6页
摘要第7-9页
Chapter One Introduction第9-13页
    1.1 Research Background of the Study第9-10页
    1.2 Purpose and Significance of the Study第10-11页
    1.3 Structure of the Study第11-13页
Chapter Two Literature Review第13-19页
    2.1 Research Overview of Punk and Punk Fictions第13-15页
    2.2 Recent Study Status of Kathy Acker and her Punk Fictions第15-19页
Chapter Three Theoretical Foundation第19-30页
    3.1 Theory of Post-modern Literature第19-22页
        3.1.1 Origin of Post-modern Literature and its Development第19-20页
        3.1.2 Features of Post-modern Literary Works第20-22页
    3.2 Language Games第22-30页
        3.2.1 Parody in Language Games第25-28页
        3.2.2 Paradox in Language Games第28-30页
Chapter Four Analysis of Language Games in Kathy Acker’s Punk Fiction GreatExpectations第30-55页
    4.1 The Overview of Stories and Language Games in Great Expectations第30-32页
    4.2 Analysis of Parody in Great Expectations第32-47页
        4.2.1 The Explicit Parody in Great Expectations第32-39页
            4.2.1.1 The Parody of Historical Events第33-36页
            4.2.1.2 The Parody of John Keats’ Poem The Eve of St. Agnes第36-39页
        4.2.2 The Implicit Parody in Great Expectations第39-47页
            4.2.2.1 The Parody of Charles Dickens’s Great Expectations第40-42页
            4.2.2.2 The Parody of Propertius’s Elegies第42-44页
            4.2.2.3 The Parody of the Pornography underneath the Victorians第44-47页
    4.3 Analysis of Paradox in Great Expectations第47-55页
        4.3.1 The Fusion Paradox in Great Expectations第47-51页
        4.3.2 The Fission Paradox in Great Expectations第51-55页
Chapter Five Conclusion第55-58页
Bibliography第58-61页
Acknowledgements第61页

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